"I've done about six comedies. Oddly enough, the script came to me from one of the guys in Platoon"
About this Quote
There is a sly little career revision buried in Berenger's casual name-drop. He’s best known as the flinty, hyper-masculine face of big American dramas like Platoon, so the line works because it breaks that brand without sounding like a rebrand. “I’ve done about six comedies” is delivered like a shrug, as if comedy were a side hustle that somehow keeps happening to him. That “about” matters: it downplays deliberate strategy, projecting the actor’s preferred myth of authenticity - the working pro who follows the material, not the market.
Then comes the real twist: “Oddly enough, the script came to me from one of the guys in Platoon.” Berenger is pointing at the audience’s assumptions and quietly enjoying them. War movies get treated as cultural gravitas; comedies get treated as lighter work. By calling it “odd,” he invites the listener to share the surprise, then punctures it. People from “serious” projects make funny things, too; the pipeline between trauma and humor is shorter than we pretend. In Hollywood, the bonds formed on intense sets also become informal creative networks, and Berenger’s anecdote exposes that machinery in a single sentence.
The subtext is both modest and canny: he’s crediting the relationship, not the industry, while reminding you he’s still in circulation. It’s an actor’s way of saying range exists - and sometimes it arrives through the last place you’d expect, via the buddy from the battlefield.
Then comes the real twist: “Oddly enough, the script came to me from one of the guys in Platoon.” Berenger is pointing at the audience’s assumptions and quietly enjoying them. War movies get treated as cultural gravitas; comedies get treated as lighter work. By calling it “odd,” he invites the listener to share the surprise, then punctures it. People from “serious” projects make funny things, too; the pipeline between trauma and humor is shorter than we pretend. In Hollywood, the bonds formed on intense sets also become informal creative networks, and Berenger’s anecdote exposes that machinery in a single sentence.
The subtext is both modest and canny: he’s crediting the relationship, not the industry, while reminding you he’s still in circulation. It’s an actor’s way of saying range exists - and sometimes it arrives through the last place you’d expect, via the buddy from the battlefield.
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| Topic | Movie |
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