"I've done Graham Norton's show three times now. He tackles taboos and subject matter that wouldn't make it past the censors in the States"
About this Quote
MacLachlan is really praising Norton by dragging American TV without sounding like he’s auditioning for a culture-war panel. On the surface, it’s a genial actor’s endorsement of a talk show. Underneath, it’s a small confession about what kind of candor entertainment is allowed to have, and where. The line works because it’s framed as personal experience: “three times now” gives it the credibility of a repeat visitor, not a tourist taking a cheap shot. He’s not theorizing about media systems; he’s reporting on the vibe in the room.
The key word is “taboos,” which does double duty. It flatters Norton as brave and mischievous, but it also implies that the taboo isn’t the subject itself so much as the American anxiety around it. MacLachlan doesn’t name the topics - sex, drugs, queer gossip, bodily functions, politics - because naming them would blunt the point. The subtext is that U.S. broadcast culture still polices tone: not just what you can say, but how openly you can enjoy saying it.
Context matters: Norton’s show is built on convivial ambush, getting celebrities to loosen their PR armor through alcohol, audience intimacy, and a UK tradition of cheeky irreverence. MacLachlan, whose persona oscillates between suave and uncanny, is an ideal witness: he’s spent a career in David Lynch’s America, where taboo is everywhere, just coded. His compliment lands as a paradox: the U.S. can sell transgression as fiction, but often can’t tolerate it as small talk.
The key word is “taboos,” which does double duty. It flatters Norton as brave and mischievous, but it also implies that the taboo isn’t the subject itself so much as the American anxiety around it. MacLachlan doesn’t name the topics - sex, drugs, queer gossip, bodily functions, politics - because naming them would blunt the point. The subtext is that U.S. broadcast culture still polices tone: not just what you can say, but how openly you can enjoy saying it.
Context matters: Norton’s show is built on convivial ambush, getting celebrities to loosen their PR armor through alcohol, audience intimacy, and a UK tradition of cheeky irreverence. MacLachlan, whose persona oscillates between suave and uncanny, is an ideal witness: he’s spent a career in David Lynch’s America, where taboo is everywhere, just coded. His compliment lands as a paradox: the U.S. can sell transgression as fiction, but often can’t tolerate it as small talk.
Quote Details
| Topic | Art |
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