"I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivered a piece of work that people responded to with huge enthusiasm"
About this Quote
The most telling word here is "private". Nunn isn’t describing artistic struggle as a romantic rite of passage; he’s describing it as concealed labor, managed carefully behind the scenes. For a theatre director, the job is authority: you’re paid to have a plan, to steady a room full of nervous talent, to make the chaos look inevitable. Admitting doubt is risky because it punctures the myth that leadership is certainty. So the doubt gets “kept deeply inside,” not because it’s rare, but because the culture of production rewards composure.
The second pivot is “eventually delivered.” That’s industry language, closer to deadlines and opening nights than to inspiration. Nunn frames creativity as a logistical act: you deliver work, and then the audience delivers judgment. The subtext is almost managerial: fear doesn’t disappear; it’s carried to completion. In that sense, the line quietly demystifies great directing. The triumph isn’t a burst of confidence, it’s follow-through.
Then comes the emotional release valve: “huge enthusiasm.” It’s not “praise” or “approval,” which would spotlight critics and status. Enthusiasm is collective, immediate, bodily: applause, laughter, the room changing temperature. Nunn is pointing to a theatre truth that plays especially well in a public, collaborative art form: private doubt can coexist with public impact, and the gap between them is where professionalism lives. The intent reads like reassurance to younger artists, but also a subtle rebuke to the idea that confidence is the prerequisite for making something that lands.
The second pivot is “eventually delivered.” That’s industry language, closer to deadlines and opening nights than to inspiration. Nunn frames creativity as a logistical act: you deliver work, and then the audience delivers judgment. The subtext is almost managerial: fear doesn’t disappear; it’s carried to completion. In that sense, the line quietly demystifies great directing. The triumph isn’t a burst of confidence, it’s follow-through.
Then comes the emotional release valve: “huge enthusiasm.” It’s not “praise” or “approval,” which would spotlight critics and status. Enthusiasm is collective, immediate, bodily: applause, laughter, the room changing temperature. Nunn is pointing to a theatre truth that plays especially well in a public, collaborative art form: private doubt can coexist with public impact, and the gap between them is where professionalism lives. The intent reads like reassurance to younger artists, but also a subtle rebuke to the idea that confidence is the prerequisite for making something that lands.
Quote Details
| Topic | Success |
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