"I've just begun to dare to think I perhaps am a bit of an artist"
About this Quote
There is a delicious modesty in David Lean letting the word "artist" arrive only after a gauntlet of hedges: "just begun", "dare", "think", "perhaps", "a bit". For a director synonymous with scale - the desert-god majesty of Lawrence of Arabia, the architectural sweep of Bridge on the River Kwai - the line reads like a man quietly renegotiating his own myth. Lean doesn’t claim inspiration; he confesses to permission.
The intent is less self-deprecation than self-protection. In cinema, especially the mid-century studio ecosystem Lean came up in, "director" could mean traffic manager: talented, disciplined, employed. "Artist" implies authorship, ego, risk, the kind of personal stake that turns a film into a signature rather than a product. Lean’s phrasing acknowledges that crossing that border feels socially suspect, like bragging or heresy. So he tiptoes, making the admission in miniature so it can’t be punished.
The subtext is also about craft versus expression. Lean started as an editor; his reputation was built on control, pacing, the invisible hand that makes spectacle coherent. To "dare" to call himself an artist is to elevate those technical decisions - the cut, the horizon line, the patient build of silence - into an aesthetic worldview. It’s a reminder that his epics weren’t just big; they were authored, shaped by a sensibility that learned, late, to name itself.
Context matters: British cultural codes prized understatement and distrusted overt self-mythologizing. Lean’s genius, in life and on screen, often arrived wearing a stiff upper lip.
The intent is less self-deprecation than self-protection. In cinema, especially the mid-century studio ecosystem Lean came up in, "director" could mean traffic manager: talented, disciplined, employed. "Artist" implies authorship, ego, risk, the kind of personal stake that turns a film into a signature rather than a product. Lean’s phrasing acknowledges that crossing that border feels socially suspect, like bragging or heresy. So he tiptoes, making the admission in miniature so it can’t be punished.
The subtext is also about craft versus expression. Lean started as an editor; his reputation was built on control, pacing, the invisible hand that makes spectacle coherent. To "dare" to call himself an artist is to elevate those technical decisions - the cut, the horizon line, the patient build of silence - into an aesthetic worldview. It’s a reminder that his epics weren’t just big; they were authored, shaped by a sensibility that learned, late, to name itself.
Context matters: British cultural codes prized understatement and distrusted overt self-mythologizing. Lean’s genius, in life and on screen, often arrived wearing a stiff upper lip.
Quote Details
| Topic | Art |
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