"I've just got into the convention circuit in the last couple of years and it's great to see all these people who are still interested in the show. It's so gratifying to hear that so many people enjoyed the work that Erin and I have done"
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There is a particular humility to the way Gerard frames fandom here: not as entitlement, not even as legacy, but as surprise. “I’ve just got into the convention circuit” carries the quiet admission that the culture has shifted under his feet. In the age of reboots and algorithmic nostalgia, an older TV actor stepping into cons isn’t just a career move; it’s a meeting with a new kind of audience economy, where affection is organized, ticketed, and intensely personal.
The line “still interested in the show” does a lot of work. It’s a soft marvel at endurance, but also a subtle recalibration of status. The convention circuit flips the old broadcast hierarchy. Viewers aren’t a mass; they’re faces, stories, people who remember details you forgot. Gerard’s “gratifying” isn’t PR polish so much as relief: the work landed, it lasted, and someone out there kept carrying it forward when the industry moved on.
Then he widens the lens: “the work that Erin and I have done.” That’s credit-sharing as subtextual correction. Cons tend to crown individual icons; Gerard insists on a partnership and a craft, not just a character. He’s nudging the fan narrative away from solitary hero worship and toward labor and collaboration. The intent feels practical and emotional at once: affirm the fans, affirm the work, and quietly reclaim authorship in a culture that loves the product but forgets the people who made it.
The line “still interested in the show” does a lot of work. It’s a soft marvel at endurance, but also a subtle recalibration of status. The convention circuit flips the old broadcast hierarchy. Viewers aren’t a mass; they’re faces, stories, people who remember details you forgot. Gerard’s “gratifying” isn’t PR polish so much as relief: the work landed, it lasted, and someone out there kept carrying it forward when the industry moved on.
Then he widens the lens: “the work that Erin and I have done.” That’s credit-sharing as subtextual correction. Cons tend to crown individual icons; Gerard insists on a partnership and a craft, not just a character. He’s nudging the fan narrative away from solitary hero worship and toward labor and collaboration. The intent feels practical and emotional at once: affirm the fans, affirm the work, and quietly reclaim authorship in a culture that loves the product but forgets the people who made it.
Quote Details
| Topic | Gratitude |
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