"I've lived in good climate, and it bores the hell out of me. I like weather rather than climate"
About this Quote
Steinbeck’s complaint isn’t really about sunshine; it’s about smoothness. “Good climate” is the fantasy of predictability sold as a lifestyle upgrade: stable temperatures, stable moods, stable days that blur into a single long afternoon. He punctures that fantasy with a punchline blunt enough to feel like a barstool confession: it “bores the hell out of me.” The profanity does the real work, refusing the genteel idea that comfort automatically equals happiness.
“I like weather rather than climate” draws a shrewd line between the statistical and the lived. Climate is aggregate, a promotional brochure, the promise that tomorrow will resemble today. Weather is narrative: it turns, it surprises, it makes demands. Steinbeck, whose fiction is powered by pressure systems of another kind - economic collapse, migration, human stubbornness - gravitates toward conditions that create motion. Weather complicates plans; it forces attention; it gives a day texture. In that sense, it’s an aesthetic preference and a moral one: a refusal to anesthetize life into mildness.
The subtext is also a small rebuke to American escapism. Mid-century mobility and boosterism told people they could relocate into a better self, as if character were just latitude. Steinbeck suggests the opposite: a “good climate” can make you dull, not free. He’s siding with rough edges, with the irritations that keep you awake. It’s a line that flatters neither comfort nor the people who mistake it for meaning.
“I like weather rather than climate” draws a shrewd line between the statistical and the lived. Climate is aggregate, a promotional brochure, the promise that tomorrow will resemble today. Weather is narrative: it turns, it surprises, it makes demands. Steinbeck, whose fiction is powered by pressure systems of another kind - economic collapse, migration, human stubbornness - gravitates toward conditions that create motion. Weather complicates plans; it forces attention; it gives a day texture. In that sense, it’s an aesthetic preference and a moral one: a refusal to anesthetize life into mildness.
The subtext is also a small rebuke to American escapism. Mid-century mobility and boosterism told people they could relocate into a better self, as if character were just latitude. Steinbeck suggests the opposite: a “good climate” can make you dull, not free. He’s siding with rough edges, with the irritations that keep you awake. It’s a line that flatters neither comfort nor the people who mistake it for meaning.
Quote Details
| Topic | Nature |
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