"I've lived my life in a way that I feel would be an example to young women and I've always given my best in everything I've tried"
About this Quote
Cindy Margolis is selling a moral alibi in the language of self-branding: not just that she succeeded, but that her success should be safe to admire. Coming from a model whose fame arrived in the late-90s/early-2000s internet churn, the line reads like a preemptive defense against the easiest punchline society reaches for with women whose careers are built on being looked at. “Example to young women” is doing a lot of work here. It’s not about modesty; it’s about legitimacy. She’s trying to relocate her public image from “object” to “agent” without pretending the gaze doesn’t exist.
The phrasing is carefully managerial: “in a way that I feel” softens the claim, acknowledging that respectability is a contested court. She’s aware that the audience includes skeptics who think modeling is either frivolous or morally suspect. So she invokes effort as a universal credential: “given my best in everything I’ve tried.” That’s the American merit script, the one that converts glamour into grind. It’s also a subtle insistence that her labor is real, even if the product is appearance.
Context matters: Margolis’s career was entangled with “internet celebrity” before the term had prestige. In that era, women’s visibility was treated as evidence against them, not for them. The intent, then, is less confession than repositioning: to claim agency, professionalism, and a kind of aspirational respectability, while conceding that she has to argue for it at all.
The phrasing is carefully managerial: “in a way that I feel” softens the claim, acknowledging that respectability is a contested court. She’s aware that the audience includes skeptics who think modeling is either frivolous or morally suspect. So she invokes effort as a universal credential: “given my best in everything I’ve tried.” That’s the American merit script, the one that converts glamour into grind. It’s also a subtle insistence that her labor is real, even if the product is appearance.
Context matters: Margolis’s career was entangled with “internet celebrity” before the term had prestige. In that era, women’s visibility was treated as evidence against them, not for them. The intent, then, is less confession than repositioning: to claim agency, professionalism, and a kind of aspirational respectability, while conceding that she has to argue for it at all.
Quote Details
| Topic | Self-Improvement |
|---|---|
| Source | Help us find the source |
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