"I've never heard a crowd boo a homer, but I've heard plenty of boos after a strikeout"
About this Quote
The line lands because it’s a tiny lesson in public affection disguised as a ballpark observation. A home run is indisputable spectacle: even rival fans can’t quite argue with the physics of it. A strikeout, by contrast, is absence made visible. It’s not just that you failed; it’s that you failed without producing anything the crowd can hold onto. Herman is pointing at the asymmetry of memory and reward: audiences don’t merely prefer success, they crave proof of effort that reads on the surface.
As a journalist, he’s also quietly narrating the social contract between performer and paying witness. The crowd’s boo isn’t pure cruelty; it’s a demand for legibility. A strikeout feels private, internal, almost like watching someone think themselves into a corner. Boos become a way for the crowd to reassert its role, to punish the kind of failure that offers no compensating story. A long fly-out can be “unlucky.” A strikeout is “you didn’t even give us a chance.”
Set against the 20th-century rise of mass sports as entertainment, Herman’s remark doubles as media criticism. The highlight culture rewards results that compress cleanly into replayable moments. The homer is a ready-made headline; the strikeout is dead air. He’s capturing how spectatorship trains us to applaud the definitive and heckle the ambiguous, and how performance industries (sports, politics, even journalism) learn to chase the outcome that can’t be booed.
As a journalist, he’s also quietly narrating the social contract between performer and paying witness. The crowd’s boo isn’t pure cruelty; it’s a demand for legibility. A strikeout feels private, internal, almost like watching someone think themselves into a corner. Boos become a way for the crowd to reassert its role, to punish the kind of failure that offers no compensating story. A long fly-out can be “unlucky.” A strikeout is “you didn’t even give us a chance.”
Set against the 20th-century rise of mass sports as entertainment, Herman’s remark doubles as media criticism. The highlight culture rewards results that compress cleanly into replayable moments. The homer is a ready-made headline; the strikeout is dead air. He’s capturing how spectatorship trains us to applaud the definitive and heckle the ambiguous, and how performance industries (sports, politics, even journalism) learn to chase the outcome that can’t be booed.
Quote Details
| Topic | Sports |
|---|---|
| Source | Help us find the source |
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