"I've never presented. The logistics of that is a challenge"
About this Quote
A director admitting, almost sheepishly, that he has "never presented" lands like a tiny act of rebellion against Hollywood's supposed fluency in self-promotion. Michael Ritchie isn't claiming artistic purity; he's confessing a practical weakness in an industry that treats public performance as part of the job description. The phrase "The logistics of that is a challenge" is tellingly unglamorous. Not "I don't like the spotlight", not "I'm too humble" - logistics: schedules, travel, rehearsal, the choreography of being seen. He frames presentation not as charisma, but as systems.
That's the subtext: filmmaking is already a high-wire act of coordination, and the last thing a working director wants is another layer of ceremony. Ritchie, whose films often dissected American institutions and their absurdities ("The Candidate", "Smile"), sounds here like someone allergic to ritual. Presenting is its own little institution, full of cues and etiquette, where spontaneity is punished and persona is rewarded. By calling it logistics, he deflates the prestige of the role and exposes the backstage labor that props up the "effortless" moment onstage.
Context matters, too: Ritchie came up in a period when directors could still be craftspeople rather than brands. Today, filmmakers are expected to be content: festival Q&As, social media, awards-season glad-handing. His line reads, retroactively, like a quiet forecast of that shift - and a reminder that not everyone who shapes culture wants to also sell it in person.
That's the subtext: filmmaking is already a high-wire act of coordination, and the last thing a working director wants is another layer of ceremony. Ritchie, whose films often dissected American institutions and their absurdities ("The Candidate", "Smile"), sounds here like someone allergic to ritual. Presenting is its own little institution, full of cues and etiquette, where spontaneity is punished and persona is rewarded. By calling it logistics, he deflates the prestige of the role and exposes the backstage labor that props up the "effortless" moment onstage.
Context matters, too: Ritchie came up in a period when directors could still be craftspeople rather than brands. Today, filmmakers are expected to be content: festival Q&As, social media, awards-season glad-handing. His line reads, retroactively, like a quiet forecast of that shift - and a reminder that not everyone who shapes culture wants to also sell it in person.
Quote Details
| Topic | Work |
|---|
More Quotes by Michael
Add to List







