"I've nothing to say"
About this Quote
"I've nothing to say" is the kind of line that sounds like refusal until you remember who’s saying it: Anish Kapoor, an artist whose whole practice treats silence as a material. Coming from a maker of voids, mirrors, and surfaces that swallow the viewer’s orientation, the sentence reads less like coyness and more like a boundary. It’s a way of declining the modern demand that artists supply neat captions for experience: a statement, a hot take, a tidy moral.
Kapoor’s work often stages perception itself as the event. His concave mirrors turn you into the subject and the spectacle; his dark, seemingly bottomless forms create an encounter with not-knowing. In that context, "nothing" isn’t emptiness, it’s a deliberate space where interpretation can’t be outsourced to the artist’s language. The subtext is a critique of the culture that treats explanation as value and speech as proof of seriousness. If you can’t paraphrase it, the thinking goes, maybe it isn’t there. Kapoor pushes back: the “there” is in the looking, not the lecture.
There’s also a power move embedded in the understatement. Artists are constantly pressed to perform accessibility, to translate aesthetic experience into interview-ready slogans. Kapoor’s refusal reasserts autonomy: the work won’t be reduced to a quote, and the audience won’t be let off the hook. The silence isn’t passive; it’s an invitation with teeth.
Kapoor’s work often stages perception itself as the event. His concave mirrors turn you into the subject and the spectacle; his dark, seemingly bottomless forms create an encounter with not-knowing. In that context, "nothing" isn’t emptiness, it’s a deliberate space where interpretation can’t be outsourced to the artist’s language. The subtext is a critique of the culture that treats explanation as value and speech as proof of seriousness. If you can’t paraphrase it, the thinking goes, maybe it isn’t there. Kapoor pushes back: the “there” is in the looking, not the lecture.
There’s also a power move embedded in the understatement. Artists are constantly pressed to perform accessibility, to translate aesthetic experience into interview-ready slogans. Kapoor’s refusal reasserts autonomy: the work won’t be reduced to a quote, and the audience won’t be let off the hook. The silence isn’t passive; it’s an invitation with teeth.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Kapoor, Anish. (2026, January 17). I've nothing to say. FixQuotes. https://fixquotes.com/quotes/ive-nothing-to-say-40114/
Chicago Style
Kapoor, Anish. "I've nothing to say." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/ive-nothing-to-say-40114/.
MLA Style (9th ed.)
"I've nothing to say." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/ive-nothing-to-say-40114/. Accessed 12 Feb. 2026.
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