"I've played almost every lead character from Henry VI to Othello. I'm dying to tackle Richard III sometime"
About this Quote
There is something delightfully hungry about Ted Lange’s line: it’s not bragging so much as it is a status update from an actor who has spent years proving range and still feels a particular mountain calling his name. Listing “almost every lead character from Henry VI to Othello” isn’t casual name-dropping; it’s a résumé compressed into a single breath, meant to signal seriousness to the people who decide what kind of Shakespeare an actor gets to do. You can hear the implicit correction: don’t file me under TV familiarity or one iconic role, I’ve been doing the work.
The specific choice of endpoints matters. Henry VI suggests stamina and breadth (three plays, a long arc, a history cycle that rewards craft over flash). Othello carries prestige and peril: a part that is vocally and emotionally punishing, and culturally charged in ways that force an actor’s whole identity into the conversation. By placing those titles side by side, Lange claims both endurance and tragic weight.
Then comes the kicker: “I’m dying to tackle Richard III sometime.” That verb, “tackle,” reframes Shakespeare’s most famous villain as a contact sport - less poetry recital, more full-body confrontation. The subtext is part ambition, part impatience. Richard III is the role that can crown a classical actor because it’s a charismatic engine: you drive the play, you seduce the audience, you make them complicit. Lange isn’t just expressing a preference; he’s telegraphing readiness for the kind of spotlight that rewrites how the industry sees you.
The specific choice of endpoints matters. Henry VI suggests stamina and breadth (three plays, a long arc, a history cycle that rewards craft over flash). Othello carries prestige and peril: a part that is vocally and emotionally punishing, and culturally charged in ways that force an actor’s whole identity into the conversation. By placing those titles side by side, Lange claims both endurance and tragic weight.
Then comes the kicker: “I’m dying to tackle Richard III sometime.” That verb, “tackle,” reframes Shakespeare’s most famous villain as a contact sport - less poetry recital, more full-body confrontation. The subtext is part ambition, part impatience. Richard III is the role that can crown a classical actor because it’s a charismatic engine: you drive the play, you seduce the audience, you make them complicit. Lange isn’t just expressing a preference; he’s telegraphing readiness for the kind of spotlight that rewrites how the industry sees you.
Quote Details
| Topic | Art |
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