"I've sometimes thought of marrying - and then I've thought again"
About this Quote
Coward compresses an entire worldview into a shrug that sparkles. "I've sometimes thought of marrying - and then I've thought again" is built like a perfectly timed gag: the first clause opens the door to conventional adulthood, the dash is the pause where society expects sincerity, and the second clause snaps it shut with a cool click. The joke isn’t that marriage is awful; it’s that thinking is enough to undo the fantasy. Reflection becomes the sexier, sharper alternative to romance.
The line also doubles as a social tell. Coward’s voice is unmistakably upper-crust and stage-trained: urbane, unbothered, allergic to confession. He offers personal revelation while withholding it, turning vulnerability into a performance of composure. The subtext is a refusal to be pinned down - not just by a spouse, but by the cultural script that equates fulfillment with matrimony. For a playwright whose work skewered manners and exposed the fragility of respectability, marriage is less a sacred institution than a prop in a drawing-room farce.
Context matters: Coward lived in a Britain where public conformity was demanded and queerness was criminalized. His celebrity depended on charm and discretion; his private life required strategic ambiguity. That makes the line feel like a defensive wit, a way to sidestep intrusive expectations without declaring open war. It’s epigram as camouflage: a laugh line that also keeps the world at a safe, glittering distance.
The line also doubles as a social tell. Coward’s voice is unmistakably upper-crust and stage-trained: urbane, unbothered, allergic to confession. He offers personal revelation while withholding it, turning vulnerability into a performance of composure. The subtext is a refusal to be pinned down - not just by a spouse, but by the cultural script that equates fulfillment with matrimony. For a playwright whose work skewered manners and exposed the fragility of respectability, marriage is less a sacred institution than a prop in a drawing-room farce.
Context matters: Coward lived in a Britain where public conformity was demanded and queerness was criminalized. His celebrity depended on charm and discretion; his private life required strategic ambiguity. That makes the line feel like a defensive wit, a way to sidestep intrusive expectations without declaring open war. It’s epigram as camouflage: a laugh line that also keeps the world at a safe, glittering distance.
Quote Details
| Topic | Marriage |
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