"I've spent a lot of time and money trying to keep my anger in control"
About this Quote
There is a special kind of exhaustion embedded in that line: not the righteous exhaustion of fighting the world, but the private burnout of fighting yourself with receipts. By pairing "time and money", Yancy Butler frames anger management less as a personality quirk and more as an ongoing, costly project - like rehab, therapy, lawyers, lost jobs, cleanup. The phrasing suggests experience with systems that monetize self-regulation: professionals, programs, prescriptions, PR containment. Anger, here, isn’t romanticized fire; it’s an expense line.
As an actress, Butler’s subtext also lives in the economics of employability. Hollywood sells intensity on screen and punishes it off camera. A man’s volatility can be rebranded as genius; a woman’s anger becomes a liability to insure, schedule, or "deal with". Saying she’s tried to keep it "in control" reads like a concession to an industry that demands palatable emotions and constant performative pleasantness. The word "keep" matters: control isn’t achieved once, it’s maintained, daily, under pressure.
The intent feels both confessional and defensive. She isn’t asking to be excused; she’s insisting that anger has a history, and that she’s paid dearly to manage it. It’s a quiet rebuttal to the lazy narrative of the "difficult" actress: the work is happening, it’s just not glamorous work, and it doesn’t come with applause.
As an actress, Butler’s subtext also lives in the economics of employability. Hollywood sells intensity on screen and punishes it off camera. A man’s volatility can be rebranded as genius; a woman’s anger becomes a liability to insure, schedule, or "deal with". Saying she’s tried to keep it "in control" reads like a concession to an industry that demands palatable emotions and constant performative pleasantness. The word "keep" matters: control isn’t achieved once, it’s maintained, daily, under pressure.
The intent feels both confessional and defensive. She isn’t asking to be excused; she’s insisting that anger has a history, and that she’s paid dearly to manage it. It’s a quiet rebuttal to the lazy narrative of the "difficult" actress: the work is happening, it’s just not glamorous work, and it doesn’t come with applause.
Quote Details
| Topic | Anger |
|---|---|
| Source | Help us find the source |
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