"I've spent so much time the last seven, eight years in Los Angeles, away from my family, away from my friends, away from the city that is my favourite place to be and I just want to come here and have a proper life"
About this Quote
There is a particular kind of exhaustion that only comes from getting what you thought you wanted. Nicholas Lea frames Los Angeles not as a dream factory but as a long, grinding absence: “seven, eight years” becomes a unit of distance measured in missed birthdays, loosened friendships, and a self that’s been living out of a suitcase. The repetition of “away from” lands like a tolling bell, turning a glamorous geography into a quiet inventory of losses.
Lea’s intent feels less like confession than course correction. Actors are trained to narrate ambition as destiny, but he’s narrating it as trade-off. Los Angeles stands in for the industry’s centripetal force: if you’re serious, you go; if you go, you’re gone. By naming “the city that is my favourite place to be,” he signals that the real center of his life isn’t a casting office or a pilot season calendar, but a community that makes him legible to himself.
“Proper life” is the loaded phrase. It’s not moralizing so much as reclaiming the ordinary: stability, routines, people who knew you before the headshots. Subtextually, he’s puncturing the cultural script that treats artistic success as an all-access pass to happiness. The context is an entertainment economy that demands relocation, perpetual availability, and a kind of emotional outsourcing. Lea’s line reads as a refusal to keep paying that price, and a reminder that the most radical move in a hustle culture might be to go home and mean it.
Lea’s intent feels less like confession than course correction. Actors are trained to narrate ambition as destiny, but he’s narrating it as trade-off. Los Angeles stands in for the industry’s centripetal force: if you’re serious, you go; if you go, you’re gone. By naming “the city that is my favourite place to be,” he signals that the real center of his life isn’t a casting office or a pilot season calendar, but a community that makes him legible to himself.
“Proper life” is the loaded phrase. It’s not moralizing so much as reclaiming the ordinary: stability, routines, people who knew you before the headshots. Subtextually, he’s puncturing the cultural script that treats artistic success as an all-access pass to happiness. The context is an entertainment economy that demands relocation, perpetual availability, and a kind of emotional outsourcing. Lea’s line reads as a refusal to keep paying that price, and a reminder that the most radical move in a hustle culture might be to go home and mean it.
Quote Details
| Topic | Family |
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