"I've worked with very few that I considered unpleasant. Dennis the Menace was a joy to work on"
About this Quote
Hollywood small talk is usually engineered to offend no one, but Gale Gordon sneaks in a tiny, elegant grenade. He starts with a velvet-glove generality - he’s worked with “very few” unpleasant people - then pivots to a pointed, almost mischievous specificity: “Dennis the Menace was a joy to work on.” The title drop does double duty. It’s a compliment to a particular production, sure, but it also reads like a wry nod to the industry’s reputation for egos and chaos. If “Dennis” (a property built around disruption) was the joy, what does that imply about the supposedly serious, prestige-adjacent sets?
The subtext is craft pride disguised as geniality. Gordon’s career was steeped in tightly timed comedy, where professionalism is less about inspiration than about reliability: showing up, hitting marks, landing rhythm. Calling a show “a joy” signals that the machinery worked - the writing, the pacing, the people who knew how to play ensemble without treating the set like a personal kingdom.
There’s also a generational tell here. As a classic radio-and-TV company man, Gordon speaks in the code of the working actor: don’t gossip, don’t torch bridges, but let the initiated hear the truth in the phrasing. “Very few” is restraint; naming the exception is the message. He’s praising a set by implying how rare that feeling can be.
The subtext is craft pride disguised as geniality. Gordon’s career was steeped in tightly timed comedy, where professionalism is less about inspiration than about reliability: showing up, hitting marks, landing rhythm. Calling a show “a joy” signals that the machinery worked - the writing, the pacing, the people who knew how to play ensemble without treating the set like a personal kingdom.
There’s also a generational tell here. As a classic radio-and-TV company man, Gordon speaks in the code of the working actor: don’t gossip, don’t torch bridges, but let the initiated hear the truth in the phrasing. “Very few” is restraint; naming the exception is the message. He’s praising a set by implying how rare that feeling can be.
Quote Details
| Topic | Work |
|---|
More Quotes by Gale
Add to List
