"James Brown is important because he decorates the clock correctly and he's good with lower mathematics. Don't get me wrong - he's good"
About this Quote
Calling James Brown a master of "decorat[ing] the clock correctly" is Don Van Vliet’s way of praising precision while refusing the usual vocabulary of praise. It’s admiration delivered through a sideways grin: Brown isn’t elevated as a romantic genius, but as a technician of time who can dress a beat so it looks inevitable. In funk, the clock is sacred. Brown’s band doesn’t merely keep time; it styles it, accents it, breaks it into glittering parts, then snaps it back into place. Van Vliet, an artist who built his own anti-slick rhythms and jagged forms, recognizes a kindred obsession with structure - but he frames it in deliberately odd, almost childlike terms to puncture music-critic solemnity.
"Lower mathematics" is the clincher. It sounds like an insult until you sit with it: not calculus, not grand theory, but the hard arithmetic of groove - subdivision, repetition, the ruthless counting that makes bodies move. Van Vliet’s subtext is that greatness can be infrastructural. Brown matters because he solved a practical problem at an elite level: how to organize time so tightly it feels loose.
The "Don’t get me wrong - he’s good" tag reads like a defensive afterthought, as if sincere enthusiasm risks looking naive. That’s part of the intent: to praise Brown while maintaining the speaker’s own aura of outsider cool. Van Vliet turns homage into an art object - slightly absurd, richly specific, and, in its crooked way, dead accurate about why James Brown changed popular music.
"Lower mathematics" is the clincher. It sounds like an insult until you sit with it: not calculus, not grand theory, but the hard arithmetic of groove - subdivision, repetition, the ruthless counting that makes bodies move. Van Vliet’s subtext is that greatness can be infrastructural. Brown matters because he solved a practical problem at an elite level: how to organize time so tightly it feels loose.
The "Don’t get me wrong - he’s good" tag reads like a defensive afterthought, as if sincere enthusiasm risks looking naive. That’s part of the intent: to praise Brown while maintaining the speaker’s own aura of outsider cool. Van Vliet turns homage into an art object - slightly absurd, richly specific, and, in its crooked way, dead accurate about why James Brown changed popular music.
Quote Details
| Topic | Witty One-Liners |
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