"Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan"
About this Quote
McKnight grabs jazz - a genre often treated like museum music - and drags it back into the present tense. The first half is practically a manifesto: improvisation is valuable because it cannot be replicated. That "moment in time" language frames jazz as lived experience, not repertoire. He is arguing for risk as the point, not as a garnish. You do it "this way now" precisely because tomorrow it will be different, and that unrepeatability is the proof of authenticity.
Then he pivots into a sly culture-war metaphor that doubles as personal brand-building. "I've studied the masters" signals respect for tradition, but it also preemptively disarms purists who might accuse him of not paying his dues. The next line snaps: why emulate "the guys who sit on a bench"? He's rejecting safe competence, the kind of musicianship that functions like a supporting role - technically sound, emotionally cautious, built to avoid mistakes. It's a jab at artists who treat virtuosity as credentialing rather than as a challenge.
Invoking Michael Jordan is strategic and revealing. Jordan is not just "great"; he represents obsession, competitive edge, and the willingness to take the last shot. McKnight is importing that mythology into music: jazz as elite performance, not polite background. Coming from an R&B star who has long straddled pop success and musicianship, the subtext is also defensive: don't box me in as a singer who can merely "interpret". He's insisting on authorship in real time - not playing the chart, not playing the room, but playing to win the moment.
Then he pivots into a sly culture-war metaphor that doubles as personal brand-building. "I've studied the masters" signals respect for tradition, but it also preemptively disarms purists who might accuse him of not paying his dues. The next line snaps: why emulate "the guys who sit on a bench"? He's rejecting safe competence, the kind of musicianship that functions like a supporting role - technically sound, emotionally cautious, built to avoid mistakes. It's a jab at artists who treat virtuosity as credentialing rather than as a challenge.
Invoking Michael Jordan is strategic and revealing. Jordan is not just "great"; he represents obsession, competitive edge, and the willingness to take the last shot. McKnight is importing that mythology into music: jazz as elite performance, not polite background. Coming from an R&B star who has long straddled pop success and musicianship, the subtext is also defensive: don't box me in as a singer who can merely "interpret". He's insisting on authorship in real time - not playing the chart, not playing the room, but playing to win the moment.
Quote Details
| Topic | Motivational |
|---|
More Quotes by Brian
Add to List



