"Jealousy is the fear of comparison"
About this Quote
Jealousy, for Max Frisch, isn’t a hot-blooded excess so much as a cold arithmetic. “The fear of comparison” strips the feeling of its romantic alibi and exposes its real engine: an anxious ranking of selves. You don’t just want someone; you want to be the version of you that wins. That pivot is what makes the line sting. It refuses the flattering story jealousy tells about devotion and reframes it as insecurity in the marketplace of identity.
The phrasing matters. “Fear” gives jealousy a defensive posture; it’s not desire overflowing, it’s selfhood under threat. “Comparison” is clinical, almost bureaucratic, suggesting that jealousy thrives where people internalize external measures - beauty, talent, attention, status - and then treat intimacy like an exam scored in public. The subtext is brutal: the rival isn’t really the other person. It’s the imagined spreadsheet in your head, the suspicion that you are replaceable because you can be measured.
Frisch’s broader work circles questions of authenticity, roles, and the traps of self-invention in modern life. Coming out of a 20th-century Europe obsessed with social masks and private fractures, he’s alert to how love can become another stage for performance anxiety. In that context, jealousy reads less like passion and more like a crisis of identity: if someone else can be preferred, then the “me” I’ve been living as might be provisional. The line’s intent is diagnostic, not consoling - a scalpel to cut jealousy down to its most embarrassing truth.
The phrasing matters. “Fear” gives jealousy a defensive posture; it’s not desire overflowing, it’s selfhood under threat. “Comparison” is clinical, almost bureaucratic, suggesting that jealousy thrives where people internalize external measures - beauty, talent, attention, status - and then treat intimacy like an exam scored in public. The subtext is brutal: the rival isn’t really the other person. It’s the imagined spreadsheet in your head, the suspicion that you are replaceable because you can be measured.
Frisch’s broader work circles questions of authenticity, roles, and the traps of self-invention in modern life. Coming out of a 20th-century Europe obsessed with social masks and private fractures, he’s alert to how love can become another stage for performance anxiety. In that context, jealousy reads less like passion and more like a crisis of identity: if someone else can be preferred, then the “me” I’ve been living as might be provisional. The line’s intent is diagnostic, not consoling - a scalpel to cut jealousy down to its most embarrassing truth.
Quote Details
| Topic | Fear |
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