"Jimi was always at The Scene when he was in New York and we played many times together. He was just everywhere - he went out and jammed everywhere he was"
About this Quote
Johnny Winter isn’t polishing Hendrix into marble here; he’s putting him back in motion. “Always at The Scene” lands like a timestamp from a particular New York ecosystem, when the city’s music culture ran on proximity: clubs, after-hours rooms, and the loose social physics of who showed up. The point isn’t celebrity sighting. It’s work ethic disguised as nightlife.
The repetition does the heavy lifting. “Always,” “many times,” “everywhere,” “everywhere” turns Hendrix into a kind of traveling weather system. Winter’s subtext is admiration with a musician’s specificity: greatness wasn’t only what happened under stage lights, it was the compulsion to keep playing even when nobody was paying, even when it was messy, even when it was just for the room. That’s how a player becomes inevitable. The myth of Hendrix as a singular, unreachable genius gets replaced with something more intimidating: a guy who kept showing up.
There’s also a quiet correction embedded in “he went out and jammed everywhere he was.” Jamming is democratic, porous, risky. It implies listening, adapting, and competing in real time. Winter frames Hendrix not as a sealed-off auteur but as a social musician, someone who learned the city by plugging into it. Coming from Winter, a peer with his own virtuoso reputation, the line reads like professional testimony: the legend was built on circuits, not lightning bolts.
The repetition does the heavy lifting. “Always,” “many times,” “everywhere,” “everywhere” turns Hendrix into a kind of traveling weather system. Winter’s subtext is admiration with a musician’s specificity: greatness wasn’t only what happened under stage lights, it was the compulsion to keep playing even when nobody was paying, even when it was messy, even when it was just for the room. That’s how a player becomes inevitable. The myth of Hendrix as a singular, unreachable genius gets replaced with something more intimidating: a guy who kept showing up.
There’s also a quiet correction embedded in “he went out and jammed everywhere he was.” Jamming is democratic, porous, risky. It implies listening, adapting, and competing in real time. Winter frames Hendrix not as a sealed-off auteur but as a social musician, someone who learned the city by plugging into it. Coming from Winter, a peer with his own virtuoso reputation, the line reads like professional testimony: the legend was built on circuits, not lightning bolts.
Quote Details
| Topic | Music |
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