"Just as we descend into our consciences to judge of actions which our minds can not weigh, can we not also search in ourselves for the feeling which gives birth to forms of thought, always vague and cloudy?"
About this Quote
Vigny is trying to make “vague and cloudy” sound like a feature, not a failure. The sentence opens with a sly concession to moral life: we routinely “descend into our consciences” to judge actions our rational minds “can not weigh.” That verb, descend, matters. Conscience isn’t an airy ideal; it’s a plunge into a dim interior where the usual instruments of measurement don’t work. Then he pivots: if we accept that inner darkness as valid for ethics, why not grant the same legitimacy to the murkier origins of thought itself?
The intent is Romantic but disciplined: to argue that the deepest truths arrive before they’re fully legible. Vigny isn’t anti-reason so much as anti-accounting. He’s suspicious of the Enlightenment fantasy that every human judgment can be balanced like a ledger. The subtext is a defense of the poet’s method: forms of thought are “born” from feeling, not assembled from proofs, and what looks like fog is the necessary atmosphere of creation. He frames it as a question to disarm the skeptic; you’re invited to answer yes, because you already do this with conscience.
Contextually, this lands in early-to-mid 19th-century France, when Romantic writers were elevating interiority against the era’s growing confidence in science, systems, and public certainty. Vigny’s cloudy feeling isn’t just personal mood; it’s an argument for respecting the pre-verbal, half-formed stirrings that precede ideology, art, and even moral clarity. The provocation is that the mind’s most consequential work happens before it can explain itself.
The intent is Romantic but disciplined: to argue that the deepest truths arrive before they’re fully legible. Vigny isn’t anti-reason so much as anti-accounting. He’s suspicious of the Enlightenment fantasy that every human judgment can be balanced like a ledger. The subtext is a defense of the poet’s method: forms of thought are “born” from feeling, not assembled from proofs, and what looks like fog is the necessary atmosphere of creation. He frames it as a question to disarm the skeptic; you’re invited to answer yes, because you already do this with conscience.
Contextually, this lands in early-to-mid 19th-century France, when Romantic writers were elevating interiority against the era’s growing confidence in science, systems, and public certainty. Vigny’s cloudy feeling isn’t just personal mood; it’s an argument for respecting the pre-verbal, half-formed stirrings that precede ideology, art, and even moral clarity. The provocation is that the mind’s most consequential work happens before it can explain itself.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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