"Just because you are different does not mean that you have to be rejected"
About this Quote
Eartha Kitt turns a common social reflex on its head. Difference is often treated as a flaw to be corrected or a risk to be managed; she insists it is not a sentence. The line carries both a warning and a permission slip. The warning is against the quiet habit of pre-rejecting oneself before the world can do it, shrinking to fit a mold that was never made with you in mind. The permission is to claim agency in deciding where you belong and with whom, and to refuse the lie that acceptance must be purchased with sameness.
Her life makes the point concrete. Born into poverty and mixed-race stigma in the Jim Crow South, Kitt fashioned a singular stage presence: a purr edged with steel, glamorous and mischievous, unashamed of appetite or opinion. When she spoke bluntly against the Vietnam War at a White House luncheon in 1968, the price was swift. She was ostracized by the American establishment, reportedly surveilled, and pushed to work abroad. By the logic of conformity, the message was clear: be quieter, be nicer, be less. She refused. She rebuilt in Europe, returned to Broadway, cut club hits, and later won Emmys for voicing a villain who delighted in her own eccentricity. Difference did not end her; it kept her unmistakable.
There is also a social claim tucked inside the personal one. Rejection is not a law of nature but a choice made by institutions and communities. If rejection is a choice, so is inclusion. The statement calls on listeners to create rooms where originality is welcomed and to challenge gatekeepers who pretend neutrality while punishing deviation.
The sentence lands like a hand on the shoulder: do not conflate your uniqueness with unworthiness. Seek or build the places that can hold you. Let your edges remain edges. Acceptance that demands erasure is not acceptance at all.
Her life makes the point concrete. Born into poverty and mixed-race stigma in the Jim Crow South, Kitt fashioned a singular stage presence: a purr edged with steel, glamorous and mischievous, unashamed of appetite or opinion. When she spoke bluntly against the Vietnam War at a White House luncheon in 1968, the price was swift. She was ostracized by the American establishment, reportedly surveilled, and pushed to work abroad. By the logic of conformity, the message was clear: be quieter, be nicer, be less. She refused. She rebuilt in Europe, returned to Broadway, cut club hits, and later won Emmys for voicing a villain who delighted in her own eccentricity. Difference did not end her; it kept her unmistakable.
There is also a social claim tucked inside the personal one. Rejection is not a law of nature but a choice made by institutions and communities. If rejection is a choice, so is inclusion. The statement calls on listeners to create rooms where originality is welcomed and to challenge gatekeepers who pretend neutrality while punishing deviation.
The sentence lands like a hand on the shoulder: do not conflate your uniqueness with unworthiness. Seek or build the places that can hold you. Let your edges remain edges. Acceptance that demands erasure is not acceptance at all.
Quote Details
| Topic | Equality |
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