"Knowledge is ancient error reflecting on its youth"
About this Quote
Knowledge, in Picabia's telling, is not a clean ladder upward but a hall of mirrors where yesterday's mistakes put on a wise face. The line moves like a Dada prank with a philosopher's aftertaste: it sounds like an aphorism about progress, then yanks the rug out. If knowledge is "ancient error", certainty becomes suspicious by definition. What we call understanding is just error that survived long enough to acquire prestige, footnotes, and institutional shelter.
The sly brilliance is in "reflecting on its youth". Reflection suggests maturity, memory, refinement - the respectable narrative of learning. But attaching it to error flips the moral. Youth here isn't innocence; it's the earlier, more candid stage of being wrong. Knowledge is error aging into coherence, editing its own origin story so it can pass as truth. That's a direct jab at the way cultures canonize ideas: once a belief hardens into common sense, we stop seeing the contingency, the accidents, the power, the fashion that helped it win.
Context matters: Picabia comes out of early 20th-century modernism, where the old guarantees (reason, progress, bourgeois taste) looked increasingly absurd against mechanized war and shattered traditions. Dada artists treated "meaning" as something assembled, not discovered, because the world had just proved how lethal respectable logic could be. Picabia's intent isn't anti-intellectual so much as anti-solemn. He exposes knowledge as a historical artifact: time doesn't turn wrong into right; it just makes wrong feel inevitable.
The sly brilliance is in "reflecting on its youth". Reflection suggests maturity, memory, refinement - the respectable narrative of learning. But attaching it to error flips the moral. Youth here isn't innocence; it's the earlier, more candid stage of being wrong. Knowledge is error aging into coherence, editing its own origin story so it can pass as truth. That's a direct jab at the way cultures canonize ideas: once a belief hardens into common sense, we stop seeing the contingency, the accidents, the power, the fashion that helped it win.
Context matters: Picabia comes out of early 20th-century modernism, where the old guarantees (reason, progress, bourgeois taste) looked increasingly absurd against mechanized war and shattered traditions. Dada artists treated "meaning" as something assembled, not discovered, because the world had just proved how lethal respectable logic could be. Picabia's intent isn't anti-intellectual so much as anti-solemn. He exposes knowledge as a historical artifact: time doesn't turn wrong into right; it just makes wrong feel inevitable.
Quote Details
| Topic | Knowledge |
|---|
More Quotes by Francis
Add to List











