"Kolkata is the relatively unexplored part of India as far as Hindi films are concerned"
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“Kolkata is the relatively unexplored part of India as far as Hindi films are concerned” is Sanjay Dutt doing two things at once: selling possibility and quietly diagnosing a blind spot. Coming from a mainstream Hindi star, the line reads less like a geography lesson and more like a pitch to an industry that’s long treated India as a handful of familiar backdrops: Mumbai’s glamour, Delhi’s power corridors, Punjab’s fields, Kashmir’s romance. Calling Kolkata “unexplored” frames it as cinematic real estate still available for discovery, novelty, and freshness in a marketplace that often recycles the same visual grammar.
The subtext is about who gets to represent “India” on the biggest screen. Kolkata isn’t marginal in culture; it’s foundational. It has a towering artistic legacy, a distinct political temperament, a recognizable street life, and a deep film history of its own. When Hindi cinema underuses the city, it’s not because it lacks stories, but because the industry’s center of gravity skews west and north, and because producers default to locations that come pre-packaged with easy stereotypes.
Dutt’s phrasing also carries a soft challenge without sounding confrontational. “Relatively” acknowledges exceptions while still pushing the point: the city has been present, but not truly integrated into the mainstream imagination. In an era when audiences reward specificity and regional texture, the comment gestures toward a practical truth: unexplored settings aren’t just aesthetic upgrades; they’re a way to refresh narratives, cast new types, and widen what “Hindi film India” looks like.
The subtext is about who gets to represent “India” on the biggest screen. Kolkata isn’t marginal in culture; it’s foundational. It has a towering artistic legacy, a distinct political temperament, a recognizable street life, and a deep film history of its own. When Hindi cinema underuses the city, it’s not because it lacks stories, but because the industry’s center of gravity skews west and north, and because producers default to locations that come pre-packaged with easy stereotypes.
Dutt’s phrasing also carries a soft challenge without sounding confrontational. “Relatively” acknowledges exceptions while still pushing the point: the city has been present, but not truly integrated into the mainstream imagination. In an era when audiences reward specificity and regional texture, the comment gestures toward a practical truth: unexplored settings aren’t just aesthetic upgrades; they’re a way to refresh narratives, cast new types, and widen what “Hindi film India” looks like.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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