"Language exerts hidden power, like the moon on the tides"
About this Quote
Brown’s line flatters language by refusing to romanticize it. Power, she implies, rarely announces itself with a baton and a badge; it moves the way gravity moves - quietly, predictably, and with consequences you only notice once the shoreline has changed. The moon doesn’t persuade the ocean. It doesn’t argue. It just sits there, and the water obeys. That’s the subtext: words don’t merely describe reality, they tug at it, pulling our sense of what’s normal, allowable, shameful, or inevitable.
The simile is doing cultural work. “Hidden power” suggests influence that feels natural precisely because it’s been made invisible: the idioms that decide who counts as “illegal” versus “undocumented,” who is “assertive” versus “bossy,” what gets framed as “tradition” rather than “control.” Brown, a writer shaped by feminist and LGBTQ-era battles over naming, is pointing to how vocabulary becomes policy before policy becomes law. Change the terms and you change the emotional weather: fear, disgust, sympathy, belonging. The tide follows.
There’s also a craft argument tucked inside the metaphor. Writers like Brown trade in mood, implication, and cadence - forces readers register in their bodies before they can paraphrase them. Language’s “pull” is often rhythmic: slogans, euphemisms, headlines that stick. You don’t have to believe in propaganda for it to work; you just have to live in it. Brown’s warning is clean: treat words as neutral tools and you’ll miss the undertow.
The simile is doing cultural work. “Hidden power” suggests influence that feels natural precisely because it’s been made invisible: the idioms that decide who counts as “illegal” versus “undocumented,” who is “assertive” versus “bossy,” what gets framed as “tradition” rather than “control.” Brown, a writer shaped by feminist and LGBTQ-era battles over naming, is pointing to how vocabulary becomes policy before policy becomes law. Change the terms and you change the emotional weather: fear, disgust, sympathy, belonging. The tide follows.
There’s also a craft argument tucked inside the metaphor. Writers like Brown trade in mood, implication, and cadence - forces readers register in their bodies before they can paraphrase them. Language’s “pull” is often rhythmic: slogans, euphemisms, headlines that stick. You don’t have to believe in propaganda for it to work; you just have to live in it. Brown’s warning is clean: treat words as neutral tools and you’ll miss the undertow.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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