"Lately I've been listening to some classical music again, some jazz"
About this Quote
There is a quiet provocation in Alan Vega admitting he has "been listening to some classical music again, some jazz" as if he’s returning to a scene of the crime. Vega’s public image is wired to abrasion: Suicide’s stripped-down electronics, the confrontational croon, the sense that rock could be reduced to a threat and still feel alive. So the phrase "again" matters. It suggests not discovery but relapse, a cyclical need to recharge from older, deeper vocabularies after pushing sound to its limits.
Classical and jazz are loaded choices because they’re coded, culturally, as "serious" listening - disciplined, historical, studied. Vega invokes them casually, with the shrug of someone who doesn’t need permission. That’s the subtext: his extremity wasn’t anti-music or anti-tradition; it was a different way of honoring structure and improvisation. Classical brings architecture, tension, release - the long game. Jazz brings risk, timing, swagger, the art of surviving inside a form by bending it. Both are ancestral toolkits for a performer obsessed with control and collapse at the same time.
The line also reads as a small corrective to how scenes get mythologized. Punk-adjacent innovators are often framed as pure rupture, as if they arrived from nowhere. Vega hints at continuity: the avant-garde posture is, in part, a listening practice. Even the most futuristic noise has parents, and he’s naming them without romanticism.
Classical and jazz are loaded choices because they’re coded, culturally, as "serious" listening - disciplined, historical, studied. Vega invokes them casually, with the shrug of someone who doesn’t need permission. That’s the subtext: his extremity wasn’t anti-music or anti-tradition; it was a different way of honoring structure and improvisation. Classical brings architecture, tension, release - the long game. Jazz brings risk, timing, swagger, the art of surviving inside a form by bending it. Both are ancestral toolkits for a performer obsessed with control and collapse at the same time.
The line also reads as a small corrective to how scenes get mythologized. Punk-adjacent innovators are often framed as pure rupture, as if they arrived from nowhere. Vega hints at continuity: the avant-garde posture is, in part, a listening practice. Even the most futuristic noise has parents, and he’s naming them without romanticism.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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