"Later on when it became a routine it was not as exciting I'll admit that. The first three years were wonderful, the rest were just money making and having fun"
About this Quote
Fame, Larry Hagman implies, has an expiration date - and he says it with the breezy candor of someone who knows audiences love the illusion of perpetual enchantment. That opening admission ("I'll admit that") works like a disarming wink: he anticipates the listener's suspicion that show business is repetitive and preempts it with an almost shrugging honesty. The line doesn't romanticize the grind; it normalizes it.
The sharp hinge is "routine". Hagman isn’t complaining so much as naming the professionalization of pleasure: the moment when what once felt rare becomes scheduled. In that sense, the quote is less about boredom than about scale. The first three years are framed as "wonderful" not because they were objectively better, but because novelty makes meaning. After that, the emotional charge drains out and the transaction becomes clearer.
Then comes the real tell: "the rest were just money making and having fun". "Just" is doing heavy lifting, pretending to minimize what is, in fact, the dream arrangement - profit plus pleasure. Subtext: he understands the audience wants a confession of disenchantment, but he refuses the tortured-artist script. Instead, he offers a working actor's realism: the job turns into a brand, a machine, a lifestyle. Excitement is replaced by control, leverage, and paycheck momentum.
Contextually, this fits a star whose career was defined by long-running success: television’s assembly line of hits, where repetition is the product. Hagman’s charm here is that he treats that reality not as tragedy, but as the punchline.
The sharp hinge is "routine". Hagman isn’t complaining so much as naming the professionalization of pleasure: the moment when what once felt rare becomes scheduled. In that sense, the quote is less about boredom than about scale. The first three years are framed as "wonderful" not because they were objectively better, but because novelty makes meaning. After that, the emotional charge drains out and the transaction becomes clearer.
Then comes the real tell: "the rest were just money making and having fun". "Just" is doing heavy lifting, pretending to minimize what is, in fact, the dream arrangement - profit plus pleasure. Subtext: he understands the audience wants a confession of disenchantment, but he refuses the tortured-artist script. Instead, he offers a working actor's realism: the job turns into a brand, a machine, a lifestyle. Excitement is replaced by control, leverage, and paycheck momentum.
Contextually, this fits a star whose career was defined by long-running success: television’s assembly line of hits, where repetition is the product. Hagman’s charm here is that he treats that reality not as tragedy, but as the punchline.
Quote Details
| Topic | Work |
|---|
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