"Laughter can bring a new perspective"
About this Quote
Laughter, in Durang’s hands, isn’t a break from reality; it’s a crowbar. “Laughter can bring a new perspective” reads like a gentle self-help line until you remember who’s saying it: a playwright famous for using comedy to make polite audiences squirm. Durang’s intent isn’t to praise humor as pleasant relief. It’s to argue that laughter re-angles the moral camera. It tilts what felt inevitable, sacred, or untouchable into something newly questionable.
The subtext is almost tactical: if you can laugh at it, you can look at it. Comedy loosens the grip of inherited scripts - religious pieties, family melodramas, the theatre’s own prestige - and reveals the machinery underneath. Durang’s jokes often arrive at the exact moment a scene threatens to become “important.” That’s not evasiveness; it’s a critique of importance as a mask. Laughter punctures the demand that we treat certain institutions with automatic reverence, and that puncture creates space to think.
Context matters because Durang emerged in an American theatre ecosystem that could slide into earnestness as a moral pose. His work, from Catholic-inflected satire to skewering psycho-babble and cultural hypocrisies, treats humor as an ethical instrument: a way to process pain without sentimentalizing it, and to name absurdity without preaching. “New perspective” isn’t a calm panoramic view; it’s the sudden, destabilizing angle where the audience realizes they’ve been complicit in the old one.
The subtext is almost tactical: if you can laugh at it, you can look at it. Comedy loosens the grip of inherited scripts - religious pieties, family melodramas, the theatre’s own prestige - and reveals the machinery underneath. Durang’s jokes often arrive at the exact moment a scene threatens to become “important.” That’s not evasiveness; it’s a critique of importance as a mask. Laughter punctures the demand that we treat certain institutions with automatic reverence, and that puncture creates space to think.
Context matters because Durang emerged in an American theatre ecosystem that could slide into earnestness as a moral pose. His work, from Catholic-inflected satire to skewering psycho-babble and cultural hypocrisies, treats humor as an ethical instrument: a way to process pain without sentimentalizing it, and to name absurdity without preaching. “New perspective” isn’t a calm panoramic view; it’s the sudden, destabilizing angle where the audience realizes they’ve been complicit in the old one.
Quote Details
| Topic | Happiness |
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