"Laws are spider webs through which the big flies pass and the little ones get caught"
About this Quote
Balzac’s image lands because it’s not a rant, it’s a natural history documentary with teeth. A spider web is intricate, deliberate, almost beautiful in its geometry - and still designed for one thing: capture. By choosing that metaphor, he strips “law” of its usual civic glow and recasts it as a technology of entanglement, one that performs order while quietly sorting bodies by size.
The “big flies” aren’t just the wealthy; they’re the well-connected, the legally literate, the socially protected. They don’t break the web because they’re morally superior, but because the web isn’t built to hold them. That’s the subtext that stings: inequality isn’t an accident inside the system, it’s part of the system’s engineering. The little ones get caught not necessarily for greater sins, but because they can’t afford the exits - bail, representation, discretion, loopholes, the sympathetic ear of a magistrate.
Context matters here. Balzac wrote in post-Revolutionary France, watching power reassemble itself in new costumes: bourgeois respectability, bureaucracy, finance. His novels are crowded with characters who learn that society runs on invisible permissions - who gets time, forgiveness, second chances. The line compresses that worldview into a single cynical ecology: law as an environment where predation looks like procedure.
What makes it work is its calm certainty. No villains twirling mustaches, no plea for reform - just a vivid, slightly nauseating recognition that “justice” can be structurally selective. The metaphor keeps its bite because it doesn’t ask whether laws are good; it asks who they’re for.
The “big flies” aren’t just the wealthy; they’re the well-connected, the legally literate, the socially protected. They don’t break the web because they’re morally superior, but because the web isn’t built to hold them. That’s the subtext that stings: inequality isn’t an accident inside the system, it’s part of the system’s engineering. The little ones get caught not necessarily for greater sins, but because they can’t afford the exits - bail, representation, discretion, loopholes, the sympathetic ear of a magistrate.
Context matters here. Balzac wrote in post-Revolutionary France, watching power reassemble itself in new costumes: bourgeois respectability, bureaucracy, finance. His novels are crowded with characters who learn that society runs on invisible permissions - who gets time, forgiveness, second chances. The line compresses that worldview into a single cynical ecology: law as an environment where predation looks like procedure.
What makes it work is its calm certainty. No villains twirling mustaches, no plea for reform - just a vivid, slightly nauseating recognition that “justice” can be structurally selective. The metaphor keeps its bite because it doesn’t ask whether laws are good; it asks who they’re for.
Quote Details
| Topic | Justice |
|---|---|
| Source | Unverified source: La Maison Nucingen (Honore de Balzac, 1838)
Evidence: p. 341 (éd. Werdet, 1838). The quote appears in Balzac’s own text in French: « Les lois sont des toiles d’araignées à travers lesquelles passent les grosses mouches et où restent les petites. » It is spoken by the character Blondet near the end of the story (Wikisource transcription). A Balzac sp... Other candidates (2) International Humanitarian Law: Origins (John Carey, William Dunlap, Pritchard, 2015) compilation95.0% John Carey, William Dunlap, Pritchard. case , in the words attributed to Honoré de Balzac , that " the laws are spide... Beauty (Honore de Balzac) compilation41.4% female beauty but an air divine through which the minds allgentle graces shine they like the sun irradia |
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