"Led Zeppelin was pretty much what made me pick up drum sticks"
About this Quote
There is an entire origin story packed into Fishman’s casual shrug of a sentence. “Pretty much” is doing heavy lifting: it’s not a fanboy oath, it’s a musician’s admission that influence can be both total and oddly matter-of-fact. He’s describing conversion, not taste. Led Zeppelin isn’t framed as a favorite band; it’s framed as the force that turned listening into action, turning a kid into a drummer.
The subtext is about permission. Zeppelin, and especially John Bonham, offered a blueprint where drums weren’t background furniture but a lead voice: loud, athletic, swaggering, sometimes almost orchestral. Fishman’s line signals the moment rock drums stopped being a tool and became an identity. It also hints at a particular kind of ambition: not “I wanted to play songs,” but “I wanted to inhabit that physical power.” The phrase “pick up drum sticks” is tactile and intimate, emphasizing the bodily pull of rhythm over any abstract idea of artistry.
Context matters here because Fishman comes out of the jam-band ecosystem, where endurance, dynamics, and improvisational conversation are the job. Zeppelin is a canonical gateway into that world: extended grooves, elasticity, the sense that a band can stretch time without losing the crowd. Fishman’s understated nod also situates him in a lineage. It’s less about hero worship than about tracing the spark that lit a career - and acknowledging that for many drummers, the first true teacher wasn’t a lesson, it was a record played too loud.
The subtext is about permission. Zeppelin, and especially John Bonham, offered a blueprint where drums weren’t background furniture but a lead voice: loud, athletic, swaggering, sometimes almost orchestral. Fishman’s line signals the moment rock drums stopped being a tool and became an identity. It also hints at a particular kind of ambition: not “I wanted to play songs,” but “I wanted to inhabit that physical power.” The phrase “pick up drum sticks” is tactile and intimate, emphasizing the bodily pull of rhythm over any abstract idea of artistry.
Context matters here because Fishman comes out of the jam-band ecosystem, where endurance, dynamics, and improvisational conversation are the job. Zeppelin is a canonical gateway into that world: extended grooves, elasticity, the sense that a band can stretch time without losing the crowd. Fishman’s understated nod also situates him in a lineage. It’s less about hero worship than about tracing the spark that lit a career - and acknowledging that for many drummers, the first true teacher wasn’t a lesson, it was a record played too loud.
Quote Details
| Topic | Music |
|---|
More Quotes by Jon
Add to List



