"Let me be clear about this. I don't have a drug problem. I have a police problem"
About this Quote
Keith Richards doesn’t deny the drugs; he denies the frame. “Let me be clear about this” borrows the cadence of a press conference or a courtroom statement, the language of authority from someone famously allergic to it. Then he flips the script: the “problem” isn’t his consumption, it’s the state’s obsession with policing it. The punchline works because it’s both a joke and a strategy. Richards is winking at the public while quietly indicting the machinery that turns celebrity vice into a law-and-order morality play.
The subtext is classic rock-era brinkmanship: transgression as branding, but also as a critique of who gets punished and why. By calling it a “police problem,” he’s pointing to selective enforcement, tabloid-fueled surveillance, and the way famous bodies become public property. Drugs are framed as personal failure; policing is framed as public safety. Richards collapses that distinction, suggesting the real danger is institutional appetite: raids, busts, headlines, and the career incentives built into criminalization.
Context matters. Richards came up in a moment when counterculture flirted with illegality, and the Rolling Stones were repeatedly turned into symbols of social decay. His line isn’t a policy paper, it’s a musician’s razor: a one-liner that exposes the mismatch between private behavior and public punishment. It’s defiance with a grin, and it lands because it treats authority as something that can be mocked, not feared.
The subtext is classic rock-era brinkmanship: transgression as branding, but also as a critique of who gets punished and why. By calling it a “police problem,” he’s pointing to selective enforcement, tabloid-fueled surveillance, and the way famous bodies become public property. Drugs are framed as personal failure; policing is framed as public safety. Richards collapses that distinction, suggesting the real danger is institutional appetite: raids, busts, headlines, and the career incentives built into criminalization.
Context matters. Richards came up in a moment when counterculture flirted with illegality, and the Rolling Stones were repeatedly turned into symbols of social decay. His line isn’t a policy paper, it’s a musician’s razor: a one-liner that exposes the mismatch between private behavior and public punishment. It’s defiance with a grin, and it lands because it treats authority as something that can be mocked, not feared.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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