"Let's face it: I paint well. I know it, you know it. There's no arguing really, is there?"
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Ron Wood’s line lands like a backstage aside that’s been invited onto the main stage: a little swagger, a little wink, and a firm refusal to audition for approval. Coming from a Rolling Stones guitarist who’s also a serious painter, the bravado isn’t just ego; it’s positioning. He’s pre-empting the predictable skepticism that trails any famous musician who dares to be “also” something else. The unspoken charge is dilettantism. His answer is to overstate the case until the argument feels embarrassing to keep having.
The rhetoric does a lot with very little. “Let’s face it” is the mock-serious opening of someone pretending this is a hard truth everyone has been avoiding. “I know it, you know it” turns taste into consensus, collapsing the distance between artist and audience. Then the kicker: “There’s no arguing really, is there?” It’s a question engineered to be impolite to answer. Disagreeing would make you the humorless heckler at a party.
Subtextually, Wood is defending craft without sounding defensive. He’s asserting authority in a cultural economy where authenticity is currency and where celebrity can both grant access and poison credibility. The confidence reads less like a demand for worship than a strategy: if you can’t stop people from doubting your seriousness, you can at least control the tone of the doubt. He makes the critique look stale, then walks past it, brush in hand.
The rhetoric does a lot with very little. “Let’s face it” is the mock-serious opening of someone pretending this is a hard truth everyone has been avoiding. “I know it, you know it” turns taste into consensus, collapsing the distance between artist and audience. Then the kicker: “There’s no arguing really, is there?” It’s a question engineered to be impolite to answer. Disagreeing would make you the humorless heckler at a party.
Subtextually, Wood is defending craft without sounding defensive. He’s asserting authority in a cultural economy where authenticity is currency and where celebrity can both grant access and poison credibility. The confidence reads less like a demand for worship than a strategy: if you can’t stop people from doubting your seriousness, you can at least control the tone of the doubt. He makes the critique look stale, then walks past it, brush in hand.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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