"Life is too short to harbor any hostilities towards anybody"
About this Quote
Peabo Bryson’s line lands like a slow ballad chorus: simple on the surface, quietly demanding underneath. “Life is too short” is the classic timer buzzer, but he’s not using it to sell adrenaline or reckless yes-men energy. He’s using it to shame grudges into looking small. The phrasing is plain, almost conversational, which matters coming from a singer whose brand is emotional clarity. Bryson doesn’t argue you out of hostility; he softens you out of it.
The word “harbor” does a lot of work. Hostility isn’t just a feeling you have, it’s something you store, shelter, and maintain. A harbor implies infrastructure: the repeated stories you tell yourself, the playlists of old injuries, the familiar route back to resentment. That metaphor reframes anger as a kind of unpaid part-time job. The quote’s subtext is less “forgive them” than “stop subsidizing your own bitterness.”
“Any hostilities” and “towards anybody” make the statement intentionally indiscriminate, even inconvenient. No carve-outs for the person who really deserves it, no moral exemptions. That absolutism can sound idealistic, but it also reflects a performer’s lived economics of emotion: audiences come and go, fame is fragile, time is finite, and relationships can break faster than you can tour back to repair them.
In a culture that often treats grudges as proof of standards, Bryson flips the status marker. Holding on isn’t strength; it’s waste. The power here is its gentle peer pressure: if you’re still mad, you’re the one spending the minutes.
The word “harbor” does a lot of work. Hostility isn’t just a feeling you have, it’s something you store, shelter, and maintain. A harbor implies infrastructure: the repeated stories you tell yourself, the playlists of old injuries, the familiar route back to resentment. That metaphor reframes anger as a kind of unpaid part-time job. The quote’s subtext is less “forgive them” than “stop subsidizing your own bitterness.”
“Any hostilities” and “towards anybody” make the statement intentionally indiscriminate, even inconvenient. No carve-outs for the person who really deserves it, no moral exemptions. That absolutism can sound idealistic, but it also reflects a performer’s lived economics of emotion: audiences come and go, fame is fragile, time is finite, and relationships can break faster than you can tour back to repair them.
In a culture that often treats grudges as proof of standards, Bryson flips the status marker. Holding on isn’t strength; it’s waste. The power here is its gentle peer pressure: if you’re still mad, you’re the one spending the minutes.
Quote Details
| Topic | Forgiveness |
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