"Life must be a constant education; one must learn everything, from speaking to dying"
About this Quote
Flaubert compresses a lifetime into a curriculum. To say life must be a constant education insists that growth is not a phase but a stance. Learning begins with speaking, the first social act, and for Flaubert speech was not casual. He pursued le mot juste, the exact word, believing that language shapes thought and conduct. To learn to speak, then, is to learn to see clearly, to resist cliche and the deadening comfort of received ideas.
The arc extends to dying, which places every lesson under the light of finitude. The phrase echoes Montaigne, who wrote that to philosophize is to learn to die. It recalls the old ars moriendi, the art of dying well, not as a morbid obsession but as a discipline of facing limits without self-deception. Between those poles stretches the syllabus of being human: love and disappointment, work and idleness, power and submission, beauty and boredom. Each demands attention, humility, and the willingness to revise oneself.
As a realist, Flaubert distrusted complacency. Madame Bovary exposes the perils of living on borrowed phrases and secondhand dreams. His Dictionary of Received Ideas mocks the lazy certainties of the bourgeois mind. Constant education becomes an ethic against mental sloth. It means not only accumulating knowledge but also unlearning illusions, testing opinions, and training perception. It is as much moral and aesthetic as it is intellectual.
There is also a craftsman’s pride beneath the aphorism. Flaubert treated art as laborious study, sanding every sentence until it rang true. He extends that rigor to life itself: one must practice, fail, correct, and practice again. The destination is not mastery over others but clarity about oneself. To learn dying is to learn how to live without evasion, to measure choices against what finally matters. The lesson never finishes, which is precisely the point. The learner remains alive to reality until the end, and in that vigilance finds dignity.
The arc extends to dying, which places every lesson under the light of finitude. The phrase echoes Montaigne, who wrote that to philosophize is to learn to die. It recalls the old ars moriendi, the art of dying well, not as a morbid obsession but as a discipline of facing limits without self-deception. Between those poles stretches the syllabus of being human: love and disappointment, work and idleness, power and submission, beauty and boredom. Each demands attention, humility, and the willingness to revise oneself.
As a realist, Flaubert distrusted complacency. Madame Bovary exposes the perils of living on borrowed phrases and secondhand dreams. His Dictionary of Received Ideas mocks the lazy certainties of the bourgeois mind. Constant education becomes an ethic against mental sloth. It means not only accumulating knowledge but also unlearning illusions, testing opinions, and training perception. It is as much moral and aesthetic as it is intellectual.
There is also a craftsman’s pride beneath the aphorism. Flaubert treated art as laborious study, sanding every sentence until it rang true. He extends that rigor to life itself: one must practice, fail, correct, and practice again. The destination is not mastery over others but clarity about oneself. To learn dying is to learn how to live without evasion, to measure choices against what finally matters. The lesson never finishes, which is precisely the point. The learner remains alive to reality until the end, and in that vigilance finds dignity.
Quote Details
| Topic | Learning |
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