"Like the physical, the psychical is not necessarily in reality what it appears to us to be"
About this Quote
Freud is doing a quiet act of demolition here, taking the comforting assumption that inner life is self-evident and putting it on the same shaky footing as the external world. If your eyes can be tricked, why would your mind be any less vulnerable? The line works because it borrows the authority of the physical sciences - the era's gold standard for truth - and smuggles that prestige into the messier territory of desire, memory, and fantasy. He is telling a modern reader: your own testimony is not a reliable witness.
The subtext is sharper than the phrasing suggests. Freud isn't merely proposing that people misunderstand themselves; he's carving out professional jurisdiction. If the psyche "is not necessarily" what it appears to be, then someone trained to interpret symptoms, slips, dreams, and repetitions becomes indispensable. It's a manifesto for depth: behind the polished story the ego tells (I chose this, I meant that, I'm fine) sits a second narrative written in the ink of repression and conflict.
Context matters: late-19th-century Europe was enthralled by optics, instruments, and unseen forces - germs, electricity, the unconscious. Freud rides that cultural wave, positioning the mind as another frontier where appearances deceive and indirect evidence counts. The sentence is also strategically modest. "Not necessarily" sounds cautious, almost commonsensical, which makes the radical implication easier to swallow: the self you experience is partly a mask, and the real drama is happening offstage.
The subtext is sharper than the phrasing suggests. Freud isn't merely proposing that people misunderstand themselves; he's carving out professional jurisdiction. If the psyche "is not necessarily" what it appears to be, then someone trained to interpret symptoms, slips, dreams, and repetitions becomes indispensable. It's a manifesto for depth: behind the polished story the ego tells (I chose this, I meant that, I'm fine) sits a second narrative written in the ink of repression and conflict.
Context matters: late-19th-century Europe was enthralled by optics, instruments, and unseen forces - germs, electricity, the unconscious. Freud rides that cultural wave, positioning the mind as another frontier where appearances deceive and indirect evidence counts. The sentence is also strategically modest. "Not necessarily" sounds cautious, almost commonsensical, which makes the radical implication easier to swallow: the self you experience is partly a mask, and the real drama is happening offstage.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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