"Live in such a way that you would not be ashamed to sell your parrot to the town gossip"
About this Quote
Rogers lands the punchline where moralists usually end the sermon: not on your soul, but on your parrot. The joke works because it drags “integrity” out of the courthouse and into the messy small-town ecosystem of rumor, performance, and petty surveillance. A parrot is a living recorder with a flair for repetition; the “town gossip” is the human version of the same device, except with motives. Put them together and you get a comic nightmare: your offhand cruelty, your private hypocrisies, your late-night bravado turned into public entertainment.
The specific intent isn’t to demand saintliness; it’s to mock the way reputations are made and broken in America’s tight social loops. Rogers, a vaudeville-bred actor who built a career on plainspoken barbs, understood that people don’t fear wrongdoing as much as they fear being talked about. By choosing a parrot, he updates the old “walls have ears” warning into something funnier and more humiliating: your own household pet as a witness for the prosecution.
The subtext is a critique of selective virtue. Plenty of people behave decently when the “right” audience is watching, then relax into uglier selves in private. Rogers suggests a cleaner standard: act as if your most unfiltered voice could be taken downtown and replayed for sport. In the interwar years, when mass media was scaling up gossip into national spectacle, the line also reads like an early warning about what happens when private life becomes content.
The specific intent isn’t to demand saintliness; it’s to mock the way reputations are made and broken in America’s tight social loops. Rogers, a vaudeville-bred actor who built a career on plainspoken barbs, understood that people don’t fear wrongdoing as much as they fear being talked about. By choosing a parrot, he updates the old “walls have ears” warning into something funnier and more humiliating: your own household pet as a witness for the prosecution.
The subtext is a critique of selective virtue. Plenty of people behave decently when the “right” audience is watching, then relax into uglier selves in private. Rogers suggests a cleaner standard: act as if your most unfiltered voice could be taken downtown and replayed for sport. In the interwar years, when mass media was scaling up gossip into national spectacle, the line also reads like an early warning about what happens when private life becomes content.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Help us find the source |
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