"Lonesome. Lonesome. I know what it means. Here all by my lonesome, dreaming empty dreams. Weary. Weary at the close of day, wondering if tomorrow brings me joy or sorrow"
About this Quote
Redbone’s genius was always in making nostalgia feel both comforting and counterfeit, like a postcard you’re not sure you ever earned. Here, the repetition of “Lonesome. Lonesome.” lands like the first bars of an old standard: simple, almost casual, then suddenly claustrophobic. It’s not just emphasis; it’s the mind stuck on a single word, turning it over until meaning becomes a rut. “I know what it means” reads as a defensive little flex, the kind you say when you’re trying to stay ahead of your own sadness. Loneliness isn’t romantic here, it’s competence: he’s learned it.
The phrase “by my lonesome” is deliberately plainspoken, even childlike, which makes the next image sting: “dreaming empty dreams.” That’s Redbone’s sly move. Dreams are supposed to be escape hatches; his are hollow, a private theater with no audience and no plot. The emotional arc doesn’t build toward revelation. It just sags into “Weary. Weary,” mirroring the earlier repetition, as if the speaker can only name the feeling, not transform it.
The last line widens the frame from mood to time. “At the close of day” is old songbook language, but the question of “joy or sorrow” is closer to anxiety than melodrama: tomorrow isn’t a promise, it’s a coin flip. In the context of Redbone’s persona - the enigmatic throwback crooner - the subtext is sharper: the past may sound warm, but it can’t keep you company.
The phrase “by my lonesome” is deliberately plainspoken, even childlike, which makes the next image sting: “dreaming empty dreams.” That’s Redbone’s sly move. Dreams are supposed to be escape hatches; his are hollow, a private theater with no audience and no plot. The emotional arc doesn’t build toward revelation. It just sags into “Weary. Weary,” mirroring the earlier repetition, as if the speaker can only name the feeling, not transform it.
The last line widens the frame from mood to time. “At the close of day” is old songbook language, but the question of “joy or sorrow” is closer to anxiety than melodrama: tomorrow isn’t a promise, it’s a coin flip. In the context of Redbone’s persona - the enigmatic throwback crooner - the subtext is sharper: the past may sound warm, but it can’t keep you company.
Quote Details
| Topic | Loneliness |
|---|---|
| Source | Help us find the source |
More Quotes by Leon
Add to List





