"Look, three love affairs in history, are Abelard and Eloise, Romeo and Juliet and the American media and this President at the moment. But this doesn't matter over time. Reality will impinge. If his programs work, he's fine. If it doesn't work, all of the adulation of journalists in the world won't matter"
About this Quote
George Will’s jab lands because it flatters and insults the press in the same breath. By placing “the American media and this President” alongside Abelard/Eloise and Romeo/Juliet, he borrows the glow of epic romance only to expose its absurdity. The comparison is deliberately overripe: it frames coverage as infatuation, not scrutiny, and suggests the newsroom is acting less like an institution and more like a besotted character in a tragedy.
The intent is polemical but not subtle: Will is warning that political legitimacy can’t be manufactured by a favorable narrative. The subtext is sharper. He’s not merely accusing journalists of bias; he’s accusing them of self-dramatization. In Will’s telling, the media wants to be part of the story, to feel history happening through proximity to power. The “love affair” isn’t only about the president’s charm; it’s about the press’s appetite for a protagonist.
Then comes the pivot: “Reality will impinge.” That verb choice matters. Reality isn’t debated, spun, or curated; it intrudes. Will is staking out an old-school, results-first conservatism: policy outcomes are the final editor, and sentiment is a temporary headline.
Contextually, the line fits a recurring cycle in American politics: a new president arrives, coverage warms into fascination, and critics brand it a crush. Will’s rhetorical trick is to concede the crush might be real while insisting it’s also irrelevant. If governing fails, the romance doesn’t end in poetry; it ends in math.
The intent is polemical but not subtle: Will is warning that political legitimacy can’t be manufactured by a favorable narrative. The subtext is sharper. He’s not merely accusing journalists of bias; he’s accusing them of self-dramatization. In Will’s telling, the media wants to be part of the story, to feel history happening through proximity to power. The “love affair” isn’t only about the president’s charm; it’s about the press’s appetite for a protagonist.
Then comes the pivot: “Reality will impinge.” That verb choice matters. Reality isn’t debated, spun, or curated; it intrudes. Will is staking out an old-school, results-first conservatism: policy outcomes are the final editor, and sentiment is a temporary headline.
Contextually, the line fits a recurring cycle in American politics: a new president arrives, coverage warms into fascination, and critics brand it a crush. Will’s rhetorical trick is to concede the crush might be real while insisting it’s also irrelevant. If governing fails, the romance doesn’t end in poetry; it ends in math.
Quote Details
| Topic | Leadership |
|---|---|
| Source | Help us find the source |
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