"Look up the definition of rejection in the dictionary, get really comfortable with it, and then maybe you can go into acting"
About this Quote
Acting gets sold as glamour, but Loni Anderson drags it back to its real, daily texture: being told "no" by strangers with clipboards. The line works because it sounds like practical career advice while quietly operating as a dare. "Look up the definition" is a mock-teacher move, the kind you use when someone is romanticizing a job you actually know. It frames rejection not as an occasional obstacle but as the core vocabulary of the profession. If you need a dictionary to meet it, you're already behind.
The subtext is less "toughen up" than "recalibrate your identity". In acting, talent is necessary and still often irrelevant to the outcome; decisions get made for height, timing, chemistry, budgets, nepotism, trends. By telling you to "get really comfortable", Anderson points to the psychological toll of taking every pass personally. Comfort here doesn't mean liking rejection. It means refusing to let it rewrite your self-worth or your sense of what you deserve.
The kicker is that she doesn't say "learn to handle rejection" - she says settle in with it, like it's a roommate. That's an unromantic, almost parental honesty, likely born from an era when performers (especially women) were evaluated relentlessly and publicly, and when the audition-to-job ratio was brutal without today’s social-media illusion of constant opportunity. Anderson's intent is gatekeeping in the best sense: not excluding people, but warning them what the gate is actually made of.
The subtext is less "toughen up" than "recalibrate your identity". In acting, talent is necessary and still often irrelevant to the outcome; decisions get made for height, timing, chemistry, budgets, nepotism, trends. By telling you to "get really comfortable", Anderson points to the psychological toll of taking every pass personally. Comfort here doesn't mean liking rejection. It means refusing to let it rewrite your self-worth or your sense of what you deserve.
The kicker is that she doesn't say "learn to handle rejection" - she says settle in with it, like it's a roommate. That's an unromantic, almost parental honesty, likely born from an era when performers (especially women) were evaluated relentlessly and publicly, and when the audition-to-job ratio was brutal without today’s social-media illusion of constant opportunity. Anderson's intent is gatekeeping in the best sense: not excluding people, but warning them what the gate is actually made of.
Quote Details
| Topic | Perseverance |
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