"Lord, grant that I may always desire more than I can accomplish"
About this Quote
Ambition, in Michelangelo's hands, isn’t a vice to be confessed; it’s a devotional practice. "Lord, grant that I may always desire more than I can accomplish" reads like a prayer for permanent dissatisfaction, a deliberately engineered gap between the ideal and the real. For an artist whose reputation rests on near-impossible feats, the line is strikingly anti-triumphal. He isn’t asking for success. He’s asking for the hunger that outlives it.
The intent is almost technical: keep the target just out of reach so the work never calcifies into habit. Michelangelo understood craft as a lifetime siege on matter - marble that refuses, pigment that dries, a body that ages while commissions pile up. Desire "more than I can accomplish" is a way of forcing the self into motion, ensuring that each finished piece remains a compromise with the unfinishable vision behind it. That’s the subtext: the masterpiece is always the scar left by a struggle you didn’t fully win.
Context sharpens the prayer into something darker. Michelangelo lived inside patronage systems that treated artists like instruments of power and theology. The "Lord" here is both intimate and institutional: a private appeal couched in the language his world recognized as legitimate. It’s also a quiet rebuke to the Renaissance myth of the self-sufficient genius. He frames his drive as dependence - on God, on calling, on a standard so high it becomes a kind of protection against complacency, praise, even the seductive finality of being "done."
The intent is almost technical: keep the target just out of reach so the work never calcifies into habit. Michelangelo understood craft as a lifetime siege on matter - marble that refuses, pigment that dries, a body that ages while commissions pile up. Desire "more than I can accomplish" is a way of forcing the self into motion, ensuring that each finished piece remains a compromise with the unfinishable vision behind it. That’s the subtext: the masterpiece is always the scar left by a struggle you didn’t fully win.
Context sharpens the prayer into something darker. Michelangelo lived inside patronage systems that treated artists like instruments of power and theology. The "Lord" here is both intimate and institutional: a private appeal couched in the language his world recognized as legitimate. It’s also a quiet rebuke to the Renaissance myth of the self-sufficient genius. He frames his drive as dependence - on God, on calling, on a standard so high it becomes a kind of protection against complacency, praise, even the seductive finality of being "done."
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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