"Love Comes Quickly is our favourite record ever, and it did really badly"
About this Quote
The punchline lands because it refuses the usual pop-star alibi. Chris Lowe doesn’t dress failure up as “misunderstood” or “ahead of its time”; he says the quiet part plainly: our favorite thing flopped. That candor is disarming, but it’s also a flex. Pet Shop Boys have always understood that taste and charts aren’t the same currency, and the line turns that gap into a tiny manifesto.
“Love Comes Quickly” is an especially loaded example because it’s a song about emotional resistance: love arrives like weather, indifferent to your plans. Lowe’s sentence mirrors that fatalism in career form. Success, like love, doesn’t always obey effort or quality. The record “did really badly” not because it was bad, but because the public mood, radio appetite, timing, and promotion - the whole machinery of pop - didn’t catch it. He’s puncturing the comforting myth that merit reliably rises.
There’s also a sly inversion of the artist-fan relationship. Fans are trained to validate the hits; Lowe asks you to take the deep cut seriously, to consider that the band’s internal canon doesn’t match the external one. The offhand phrasing (“really badly”) keeps it unglamorous, almost domestic, like talking about a meal you loved that nobody ordered. In a culture obsessed with metrics, it’s a reminder that devotion is private, and sometimes the most revealing art is the stuff that doesn’t win.
“Love Comes Quickly” is an especially loaded example because it’s a song about emotional resistance: love arrives like weather, indifferent to your plans. Lowe’s sentence mirrors that fatalism in career form. Success, like love, doesn’t always obey effort or quality. The record “did really badly” not because it was bad, but because the public mood, radio appetite, timing, and promotion - the whole machinery of pop - didn’t catch it. He’s puncturing the comforting myth that merit reliably rises.
There’s also a sly inversion of the artist-fan relationship. Fans are trained to validate the hits; Lowe asks you to take the deep cut seriously, to consider that the band’s internal canon doesn’t match the external one. The offhand phrasing (“really badly”) keeps it unglamorous, almost domestic, like talking about a meal you loved that nobody ordered. In a culture obsessed with metrics, it’s a reminder that devotion is private, and sometimes the most revealing art is the stuff that doesn’t win.
Quote Details
| Topic | Music |
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