"Love, I find, is like singing. Everybody can do enough to satisfy themselves, though it may not impress the neighbors as being very much"
About this Quote
Hurston sneaks a democratic dare into a homespun joke: love isn’t a rare art reserved for the gifted, it’s a human impulse most of us can manage well enough to get by. The pivot is the neighbor. Singing is private pleasure until an audience shows up, and Hurston knows how quickly intimacy gets audited by the outside world. That’s the sting under the smile: we don’t just fall in love, we perform it, and we’re haunted by the imagined balcony of onlookers scoring our pitch.
Her phrasing flatters ordinary experience without romanticizing it. “Everybody can do enough” is both generous and faintly shady; it implies effort, improvisation, maybe a little tone-deaf sincerity. Love here isn’t grand destiny, it’s practice. You can be moved, committed, even satisfied, while still failing to look impressive to the people peering over the fence. Hurston’s subtext is anti-elitist and quietly protective: your relationship doesn’t need to win cultural applause to be real.
Coming from a dramatist associated with the Harlem Renaissance and Southern Black folklore, the line also carries an artist’s suspicion of standards and gatekeeping. Hurston spent her career treating “ordinary” speech, desire, and humor as worthy material, against institutions that measured Black expression by white expectations. Love-as-singing becomes a neat cultural metaphor: some forms of feeling are judged less by their truth than by how well they match the neighborhood’s taste. The quote gives you permission to sing anyway.
Her phrasing flatters ordinary experience without romanticizing it. “Everybody can do enough” is both generous and faintly shady; it implies effort, improvisation, maybe a little tone-deaf sincerity. Love here isn’t grand destiny, it’s practice. You can be moved, committed, even satisfied, while still failing to look impressive to the people peering over the fence. Hurston’s subtext is anti-elitist and quietly protective: your relationship doesn’t need to win cultural applause to be real.
Coming from a dramatist associated with the Harlem Renaissance and Southern Black folklore, the line also carries an artist’s suspicion of standards and gatekeeping. Hurston spent her career treating “ordinary” speech, desire, and humor as worthy material, against institutions that measured Black expression by white expectations. Love-as-singing becomes a neat cultural metaphor: some forms of feeling are judged less by their truth than by how well they match the neighborhood’s taste. The quote gives you permission to sing anyway.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
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