"Love thy neighbor - and if he happens to be tall, debonair and devastating, it will be that much easier"
About this Quote
Mae West takes a commandment and slips it into a satin dress. "Love thy neighbor" arrives with the moral weight of scripture, the kind of phrase meant to police desire and elevate duty. Then she tilts it: charity is easier when the neighbor is "tall, debonair and devastating". The joke isn’t just that attraction lubricates virtue; it’s that people routinely smuggle self-interest into their highest ideals and call it righteousness.
West’s genius is how she turns piety into a pressure point. By naming the neighbor’s appeal in that piled-up trio of adjectives, she makes the body unavoidable, the very thing polite culture tries to keep offstage. The line performs her trademark strategy: sounding like she’s confessing a weakness while actually exposing everyone else’s. It’s not her hypocrisy on display, but the audience’s. We want to believe we’re good; we also want what we want.
Context matters. West built her persona in an era that demanded women be charming without being hungry, sexy without owning it. Under censorship regimes and social hand-wringing, she perfected the art of innuendo-as-critique: say the respectable words, then detonate them with desire. The specific intent is comedic, but the subtext is a blunt feminist insight: morality often gets invoked to manage women’s sexuality, while men’s desirability is treated as a natural entitlement. West flips the power dynamic by making female appetite the punchline and the weapon.
West’s genius is how she turns piety into a pressure point. By naming the neighbor’s appeal in that piled-up trio of adjectives, she makes the body unavoidable, the very thing polite culture tries to keep offstage. The line performs her trademark strategy: sounding like she’s confessing a weakness while actually exposing everyone else’s. It’s not her hypocrisy on display, but the audience’s. We want to believe we’re good; we also want what we want.
Context matters. West built her persona in an era that demanded women be charming without being hungry, sexy without owning it. Under censorship regimes and social hand-wringing, she perfected the art of innuendo-as-critique: say the respectable words, then detonate them with desire. The specific intent is comedic, but the subtext is a blunt feminist insight: morality often gets invoked to manage women’s sexuality, while men’s desirability is treated as a natural entitlement. West flips the power dynamic by making female appetite the punchline and the weapon.
Quote Details
| Topic | Romantic |
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