"Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do"
About this Quote
There is a sly modesty in Coe's "Luckily": success framed as accident, not destiny. It undercuts the usual author-myth of vocation and inevitability, replacing it with something more English and more believable - a grateful shrug in the face of a world that rarely hands people their childhood wish intact. The line is simple, but it performs a complicated bit of self-positioning: he claims ambition ("the one thing that I always wanted to do") while refusing the arrogance of triumph. Luck becomes a social lubricant.
The subtext is about writing as a rare form of continuity. Most adult lives are a sequence of compromises, identities traded for paychecks, time, or stability. Coe presents authorship as the exception: a chosen self that survived contact with reality. That makes the sentence quietly political, too. Who gets to keep a youthful desire and call it a career? Talent matters, but so do class, education, and access to time - the invisible scaffolding behind "managed."
Contextually, it also reads like Coe's broader fiction: novels preoccupied with the gap between private longing and public systems, with individuals trying to keep their inner narrative from being rewritten by institutions, economics, or national mood. By putting "by writing" in the middle, he makes craft the mechanism of escape. Not fame, not money - the act itself is the route. The intent isn't to boast; it's to mark writing as both achievement and refuge, a life that, against probability, stayed true to its earliest draft.
The subtext is about writing as a rare form of continuity. Most adult lives are a sequence of compromises, identities traded for paychecks, time, or stability. Coe presents authorship as the exception: a chosen self that survived contact with reality. That makes the sentence quietly political, too. Who gets to keep a youthful desire and call it a career? Talent matters, but so do class, education, and access to time - the invisible scaffolding behind "managed."
Contextually, it also reads like Coe's broader fiction: novels preoccupied with the gap between private longing and public systems, with individuals trying to keep their inner narrative from being rewritten by institutions, economics, or national mood. By putting "by writing" in the middle, he makes craft the mechanism of escape. Not fame, not money - the act itself is the route. The intent isn't to boast; it's to mark writing as both achievement and refuge, a life that, against probability, stayed true to its earliest draft.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Jonathan
Add to List




