"Lying has a kind of respect and reverence with it. We pay a person the compliment of acknowledging his superiority whenever we lie to him"
About this Quote
Samuel Butler twists a moral axiom by casting deceit as a tribute. To lie to someone is to accept that their judgment matters enough to be managed. One only disguises the truth when the audience has power to reward, punish, or withhold esteem; the falsehood is a bow to that power. The lie acknowledges standards we fear we cannot meet, an authority we would rather placate than confront, or a sensibility we must protect. Even the smallest white lie performs this reverence: we shield a friend’s feelings because their good opinion carries weight.
The compliment is double-edged. It flatters the listener’s importance while quietly confessing the liar’s dependence. Butler, a sharp critic of Victorian respectability in works like Erewhon and The Way of All Flesh, delights in exposing such paradoxes. A culture that proclaims truth as a virtue often relies on polite falsity to keep its machinery running. Social harmony, reputation, and hierarchy are lubricated by strategic untruths. The person who receives the lie is being treated as someone to whom one must answer, and thus as someone superior.
At the same time, the observation stings both ways. Lying requires an imaginative deference to the other’s mind, but it also presumes that mind can be fooled. Reverence slides into condescension: I respect you enough to hide the truth, and I presume you will not see through it. The dynamic reveals the strange ethics of civility, where honesty can feel like aggression and falsehood like courtesy.
By reframing deceit as a kind of homage, Butler exposes the social functions of lying. Truth-telling can be a declaration of equality or indifference: I do not fear your judgment enough to edit myself. Lying signals the presence of a hierarchy, real or perceived. We bend the truth where we feel beholden, and our distortions map the power lines between us.
The compliment is double-edged. It flatters the listener’s importance while quietly confessing the liar’s dependence. Butler, a sharp critic of Victorian respectability in works like Erewhon and The Way of All Flesh, delights in exposing such paradoxes. A culture that proclaims truth as a virtue often relies on polite falsity to keep its machinery running. Social harmony, reputation, and hierarchy are lubricated by strategic untruths. The person who receives the lie is being treated as someone to whom one must answer, and thus as someone superior.
At the same time, the observation stings both ways. Lying requires an imaginative deference to the other’s mind, but it also presumes that mind can be fooled. Reverence slides into condescension: I respect you enough to hide the truth, and I presume you will not see through it. The dynamic reveals the strange ethics of civility, where honesty can feel like aggression and falsehood like courtesy.
By reframing deceit as a kind of homage, Butler exposes the social functions of lying. Truth-telling can be a declaration of equality or indifference: I do not fear your judgment enough to edit myself. Lying signals the presence of a hierarchy, real or perceived. We bend the truth where we feel beholden, and our distortions map the power lines between us.
Quote Details
| Topic | Honesty & Integrity |
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