"Make your own music. It can be done"
About this Quote
A dare disguised as reassurance, Michelle Shocked’s line lands with the plainspoken urgency of someone who’s lived inside the DIY economy, not just admired it. “Make your own music” isn’t a Hallmark slogan about self-expression; it’s a practical command from a working musician who came up in scenes where permission slips didn’t exist. The second sentence, “It can be done,” is the tell. It anticipates the reflexive excuses: I don’t have gear, training, a label, a pipeline, the right contacts. Shocked answers all of that with a blunt, almost stubborn refusal to romanticize the obstacles.
The subtext is about control. “Own” here means authorship, yes, but also ownership in the economic sense: don’t wait for gatekeepers to validate you, don’t outsource your taste, don’t let an industry built on scarcity convince you your voice is a luxury item. Coming from an era that bridged cassette culture, independent labels, and now the infinite distribution of the internet, the quote also carries a quiet historical pivot: it used to be hard to record; now it’s hard to be heard. “It can be done” reads like a message in both directions - to the 80s kid with a four-track and to the 2020s creator drowning in algorithms.
It works because it’s unglamorous. No mysticism about talent, no myth of discovery. Just agency, framed as a choice you can make today, and a promise that making art isn’t reserved for the already-anointed.
The subtext is about control. “Own” here means authorship, yes, but also ownership in the economic sense: don’t wait for gatekeepers to validate you, don’t outsource your taste, don’t let an industry built on scarcity convince you your voice is a luxury item. Coming from an era that bridged cassette culture, independent labels, and now the infinite distribution of the internet, the quote also carries a quiet historical pivot: it used to be hard to record; now it’s hard to be heard. “It can be done” reads like a message in both directions - to the 80s kid with a four-track and to the 2020s creator drowning in algorithms.
It works because it’s unglamorous. No mysticism about talent, no myth of discovery. Just agency, framed as a choice you can make today, and a promise that making art isn’t reserved for the already-anointed.
Quote Details
| Topic | Music |
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