"Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it"
About this Quote
The line lands because it punctures the lazy myth that “fun” is the easy setting on the creative dial. Soderbergh, a director who’s ricocheted between indie rigor and mainstream gloss, knows that entertainment isn’t the absence of craft; it’s craft rendered invisible. The “weird irony” is that the more pleasurable a movie feels, the more work is required to make every beat look effortless: pacing that never drags, performances calibrated to feel spontaneous, camera movement that guides the eye without announcing itself, jokes that seem tossed off but are engineered down to the millisecond.
His intent is partly defensive, partly revelatory. In a culture that treats fun as disposable and seriousness as virtue, he’s arguing for the technical and editorial discipline behind lightness. Comedy and breezy genre films don’t give you cover; they expose you. A “serious” film can survive on mood, prestige, and patience. A fun movie has to keep cashing checks with the audience every few seconds. If it stops paying, people feel it immediately.
There’s also subtext about the director’s job as a kind of magician: you’re managing constraints (budget, schedule, studio notes, audience expectation) while creating the sensation of freedom. Coming from Soderbergh - who has made capers like Ocean’s Eleven and formal experiments like Sex, Lies, and Videotape - the quote reads as both a credo and a warning. Fun isn’t fluff. It’s a high-wire act performed in a smile.
His intent is partly defensive, partly revelatory. In a culture that treats fun as disposable and seriousness as virtue, he’s arguing for the technical and editorial discipline behind lightness. Comedy and breezy genre films don’t give you cover; they expose you. A “serious” film can survive on mood, prestige, and patience. A fun movie has to keep cashing checks with the audience every few seconds. If it stops paying, people feel it immediately.
There’s also subtext about the director’s job as a kind of magician: you’re managing constraints (budget, schedule, studio notes, audience expectation) while creating the sensation of freedom. Coming from Soderbergh - who has made capers like Ocean’s Eleven and formal experiments like Sex, Lies, and Videotape - the quote reads as both a credo and a warning. Fun isn’t fluff. It’s a high-wire act performed in a smile.
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| Topic | Movie |
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| Source | Help us find the source |
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