"Making films is great. You've got 100 people around and you're all dressing up and making weird art-it's a fun group activity"
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Lennon frames filmmaking less as auteurist agony and more as the world’s most expensive, socially acceptable arts-and-crafts night. That’s the sly charm of the line: it punctures the prestige fog around cinema by describing it in the language of play. “Dressing up” collapses method acting, costume design, and star persona into something childlike and tactile; “weird art” gives permission for experimentation without the museum hush. The phrase “100 people around” isn’t just logistics, it’s the real thesis: film as a temporary village, a pop-up community where coordination becomes its own kind of high.
The subtext is a gentle correction to the mythology of solitary genius. Lennon comes from a lineage where “art” is often narrated as sacred mission, and where celebrity can turn creative work into a private ordeal. Here, he insists on the opposite: the joy is collective, almost anonymous. The “you’re all” matters as much as the movie. It’s a democratizing move, crediting crew energy and shared momentum over the director-as-oracle narrative.
Culturally, it also reads like a musician admiring another medium’s built-in collaboration. Bands are social machines, but film multiplies that dynamic into a small city of specialists, all committing to the same imaginary world for a few weeks. Calling it a “fun group activity” is deliberately disarming; it smuggles a serious point in casual clothes: art endures not just because it’s profound, but because it’s a place people can belong while they make something strange together.
The subtext is a gentle correction to the mythology of solitary genius. Lennon comes from a lineage where “art” is often narrated as sacred mission, and where celebrity can turn creative work into a private ordeal. Here, he insists on the opposite: the joy is collective, almost anonymous. The “you’re all” matters as much as the movie. It’s a democratizing move, crediting crew energy and shared momentum over the director-as-oracle narrative.
Culturally, it also reads like a musician admiring another medium’s built-in collaboration. Bands are social machines, but film multiplies that dynamic into a small city of specialists, all committing to the same imaginary world for a few weeks. Calling it a “fun group activity” is deliberately disarming; it smuggles a serious point in casual clothes: art endures not just because it’s profound, but because it’s a place people can belong while they make something strange together.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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