"Many of us crucify ourselves between two thieves - regret for the past and fear of the future"
About this Quote
It’s a ruthless line because it doesn’t flatter the reader with “life is hard” sentimentality; it implicates us in our own suffering. Oursler reaches for Christian iconography not to preach doctrine, but to dramatize a familiar psychological trap: the way we turn time into a torture device. The cross isn’t imposed by history or fate. It’s assembled by the mind, one nail at a time, while the real present sits offstage, ignored.
The genius is in the “two thieves.” Regret and fear aren’t just emotions; they’re pickpockets. Regret steals agency by rewriting the past as a fixed verdict on who you are. Fear steals possibility by treating the future like a courtroom where you’re already guilty. Between them, you’re immobilized, punished without a trial. That “many of us” makes it communal, almost conversational, but it’s also a quiet indictment: this is a widespread habit, not an exceptional tragedy.
Context matters: Oursler was a mid-century American writer steeped in a culture where religious language still carried social electricity, but modern anxieties were accelerating - war memories, economic whiplash, the sense that tomorrow could change overnight. The line works because it fuses sacred narrative with everyday mental health before “mental health” was a public vocabulary. It’s a metaphor that turns self-help into moral urgency: stop worshiping your worst timelines.
The genius is in the “two thieves.” Regret and fear aren’t just emotions; they’re pickpockets. Regret steals agency by rewriting the past as a fixed verdict on who you are. Fear steals possibility by treating the future like a courtroom where you’re already guilty. Between them, you’re immobilized, punished without a trial. That “many of us” makes it communal, almost conversational, but it’s also a quiet indictment: this is a widespread habit, not an exceptional tragedy.
Context matters: Oursler was a mid-century American writer steeped in a culture where religious language still carried social electricity, but modern anxieties were accelerating - war memories, economic whiplash, the sense that tomorrow could change overnight. The line works because it fuses sacred narrative with everyday mental health before “mental health” was a public vocabulary. It’s a metaphor that turns self-help into moral urgency: stop worshiping your worst timelines.
Quote Details
| Topic | Live in the Moment |
|---|---|
| Source | Help us find the source |
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