"Marriage is a wonderful thing"
About this Quote
"Marriage is a wonderful thing" lands like a deliberately plain sentence from a man who spent his best-known role refusing every tidy label. Coming from Patrick McGoohan, the actor behind The Prisoner’s cool paranoia and constant pushback against social conformity, the line reads less like greeting-card sincerity and more like a performance choice: simple on the surface, loaded underneath.
The intent feels double-edged. McGoohan wasn’t a celebrity brand built on romantic chaos; he was famously private, averse to the industry’s transactional intimacy. In that context, calling marriage "wonderful" can be heard as a quiet defense of a stabilizing institution in a world that sells perpetual reinvention. It’s a small act of refusal: against the idea that commitment is naive, against the showbiz assumption that passion must be public to be real.
The subtext is in the vagueness. "Wonderful" doesn’t specify romance, sex, duty, faith, companionship, or social approval. That ambiguity lets the statement operate as both personal endorsement and polite shield. It praises without confessing. It closes the door while sounding welcoming.
Culturally, it’s also a subtle rebuke to the era’s rising cynicism about marriage-as-trap. McGoohan’s screen persona often fought systems that claimed to know what was best for him; here, the system is reimagined as chosen, not imposed. The line works because it’s almost aggressively uncomplicated, and that very lack of ornament reads, from him, as conviction.
The intent feels double-edged. McGoohan wasn’t a celebrity brand built on romantic chaos; he was famously private, averse to the industry’s transactional intimacy. In that context, calling marriage "wonderful" can be heard as a quiet defense of a stabilizing institution in a world that sells perpetual reinvention. It’s a small act of refusal: against the idea that commitment is naive, against the showbiz assumption that passion must be public to be real.
The subtext is in the vagueness. "Wonderful" doesn’t specify romance, sex, duty, faith, companionship, or social approval. That ambiguity lets the statement operate as both personal endorsement and polite shield. It praises without confessing. It closes the door while sounding welcoming.
Culturally, it’s also a subtle rebuke to the era’s rising cynicism about marriage-as-trap. McGoohan’s screen persona often fought systems that claimed to know what was best for him; here, the system is reimagined as chosen, not imposed. The line works because it’s almost aggressively uncomplicated, and that very lack of ornament reads, from him, as conviction.
Quote Details
| Topic | Marriage |
|---|---|
| Source | Help us find the source |
More Quotes by Patrick
Add to List








