"Marvel books also feed into the smaller publishers and the fact that this is happening in the same month we're launching Ultimate Fantastic Four is no coincidence"
About this Quote
Millar is doing what he’s always done best: selling a move while pretending it’s just industry weather. On the surface, he’s making a benign observation about Marvel’s gravitational pull - big releases create attention that “feeds into” smaller publishers. But the second half snaps the mask off: timing is strategy, and strategy is power. “No coincidence” is the tell. It’s the winking admission that hype isn’t a byproduct of culture; it’s manufactured, calendared, weaponized.
The specific intent is twofold. First, it reassures readers and retailers that Marvel’s dominance can be framed as an ecosystem rather than a monopoly: the blockbuster lifts all boats, even the dinghies. That’s a politically useful story inside comics, where creators, shops, and indies constantly negotiate Marvel/DC’s market share. Second, he’s justifying a launch - Ultimate Fantastic Four - as part of an orchestrated moment, not a gamble. The line functions like insider commentary, the kind fans love because it makes them feel close to the levers.
Subtextually, Millar is also staking a claim about creative legitimacy. The Ultimate line was Marvel’s modernizing project: lean continuity, cinematic pacing, big concepts. By positioning the launch as synchronized rather than random, he’s implying inevitability, momentum, a “this is where the medium is going” confidence. It’s marketing talk with a creator’s swagger: acknowledging the machine while insisting he’s one of the people steering it.
The specific intent is twofold. First, it reassures readers and retailers that Marvel’s dominance can be framed as an ecosystem rather than a monopoly: the blockbuster lifts all boats, even the dinghies. That’s a politically useful story inside comics, where creators, shops, and indies constantly negotiate Marvel/DC’s market share. Second, he’s justifying a launch - Ultimate Fantastic Four - as part of an orchestrated moment, not a gamble. The line functions like insider commentary, the kind fans love because it makes them feel close to the levers.
Subtextually, Millar is also staking a claim about creative legitimacy. The Ultimate line was Marvel’s modernizing project: lean continuity, cinematic pacing, big concepts. By positioning the launch as synchronized rather than random, he’s implying inevitability, momentum, a “this is where the medium is going” confidence. It’s marketing talk with a creator’s swagger: acknowledging the machine while insisting he’s one of the people steering it.
Quote Details
| Topic | Writing |
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